{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='London exhibition puts Sherlock Holmes under the magnifying glass' data-url='/boclips/videos/5c54c00ad8eafeecae147b76' data-video-url='/boclips/videos/5c54c00ad8eafeecae147b76' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nLondon exhibition puts Sherlock Holmes under the magnifying glass\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eA myth-busting exhibition at the Museum of London is exploring the character of fictional detective Sherlock Holmes.It's a character that's been endlessly adapted while retaining its essence as a cerebral sleuth, forensic scientist,...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eA myth-busting exhibition at the Museum of London is exploring the character of fictional detective Sherlock Holmes.\u003cbr/\u003eIt's a character that's been endlessly adapted while retaining its essence as a cerebral sleuth, forensic scientist, drug-taking bohemian and archetypal Englishman.\u003cbr/\u003eA new exhibition is putting Sherlock Holmes under the magnifying glass. \u003cbr/\u003eMany tourists still see through the eyes of the London detective, and often seek out the address he called home on Baker Street.\u003cbr/\u003eIt seems a logical deduction therefore that the fictional detective's creator, Arthur Conan Doyle, must have known the city intimately. \u003cbr/\u003eBut, according to experts, the writer didn't spend that much time in London. \u003cbr/\u003eWhen he wrote his early stories, he took the topography from a street atlas.\u003cbr/\u003eIt's just one of many surprises provided by a new myth-busting exhibition at the Museum of London.\u003cbr/\u003eThrough film clips, costumes, 19th-century forensic equipment and more, it follows Holmes from an idea in Conan Doyle's notebook to the smart phone-toting modern detective played by Benedict Cumberbatch in the BBC TV series \"Sherlock.\"\u003cbr/\u003e\"Well, Sherlock Holmes is the world's most famous fictional detective and there seems to be an incredible interest at the moment in this character and we felt this was the opportune time to do it,\" says the exhibition's lead curator, Alex Werner.\u003cbr/\u003e\"And there hasn't been an exhibition for over 60 years.\"\u003cbr/\u003eFor fans - or 'Sherlockians' as they're sometimes known - perhaps the most exciting exhibit may be this manuscript note which shoes how Conan Doyle formulated his main characters.\u003cbr/\u003eIt's for 'A Study in Scarlet' - the first of two short novels which feature Holmes - and shows how at one point the main characters' names are under consideration.\u003cbr/\u003eDr Watson appears as 'Ormond Sacker' and Sherlock Holmes as 'Sherrinford Holmes'.\u003cbr/\u003eThe address of 221B Upper Baker Street is also specified - 'Upper' disappeared in the published story.\u003cbr/\u003eConan Doyle's first two short novels made little impact, but when the short stories began to appear in Strand Magazine the detective became a literary sensation.\u003cbr/\u003e\"We have the holy of holies for 'Sherlockians' - the 'Sherrinford Holmes page' where, this is the moment that really we get the word Holmes for the first time, but Sherlock hasn't arrived yet,\" says Werner.\u003cbr/\u003eThe exhibition also looks at the relationship between the detective and London. \u003cbr/\u003eHolmes is an icon of the Victorian metropolis, a place of horse-drawn hansom cabs, dark corners, gaslight - and fog. \u003cbr/\u003eLondon was becoming a modern city when the Sherlock Holmes stories were published.\u003cbr/\u003eOld buildings were being pulled down and streets widened.\u003cbr/\u003eThe exhibition features these paintings which show landmarks such as Westminster Bridge.\u003cbr/\u003eAccording to historian, David Cannadine, the atmosphere Conan Doyle created was vivid, but in some ways misleading. \u003cbr/\u003e\"I think we all tend to suppose that that late-19th century London as it really was, was the way it was in terms of how Conan Doyle depicted it,\" he says.\u003cbr/\u003e\"So, we think in particular of the gas lamps and the clattering of the horses hooves and the fogs in Baker Street. To some degree that's right, but actually Conan Doyle rather undersold the atmospherics of late-19th century London. He doesn't write about the traffic jams, he doesn't write about the smell of horse droppings, he doesn't write about the filth of the pavements.\"\u003cbr/\u003eAccording to Cannadine, what makes Holmes such an intriguing character is his changeable persona.\u003cbr/\u003eOn the one side, he's an unstoppable Superman, on the other a decadent socialite.\u003cbr/\u003eThe exhibition features numerous tools the detective used while foiling crimes, including wigs and makeup he donned to fool enemies.\u003cbr/\u003e\"One of the interesting aspects of Holmes is that he's this very schizophrenic creation,\" says Cannadine.\u003cbr/\u003e\"One the one side, he's Superman who can do everything - and Superman in fact appeared just before the Holmes and Watson stories start - but on the other side, he's a kind of Oscar Wilde, decadent and aesthete. And it's getting work, getting detection, getting the job to do, that transformed Holmes from being the wild and decadent aesthete into the energetic and infallible Superman.\"\u003cbr/\u003eAnd that unpredictable character has been taking to the red carpet lately.\u003cbr/\u003eBenedict Cumberbatch - seen here at the Screen Actors Guild awards in January 2014 - has brought 'Sherlock' into the 21st century.\u003cbr/\u003eAnd that most recent part of the Sherlock Holmes saga isn't ignored in this exhibition.\u003cbr/\u003eThe famed Belstaff coat worn by Cumberbatch in the BBC series is here on display.\u003cbr/\u003e\"In this exhibition, we're very lucky to have Benedict Cumberbatch's Belstaff coat,\" says Werner.\u003cbr/\u003e\"So that - again - has almost become a new symbol for Sherlock.\"\u003cbr/\u003eConan Doyle, who died in 1930, probably didn't imagine that his creation would long outlive him. \u003cbr/\u003eHe tried to kill Holmes in 1893, sending him tumbling over the Reichenbach Falls while grappling with archenemy Moriarty. \u003cbr/\u003eReaders were outraged, and the author resurrected the sleuth a decade later. \u003cbr/\u003eAccording to Werner, Holmes has endured because he has been constantly re-imagined and reinterpreted.\u003cbr/\u003e\"This is a character that has so many different aspects,\" he says.\u003cbr/\u003e\"So many different sides to him and we're just fascinated in this character. Every actor that interprets the role, there's some element that we find really appealing.\"\u003cbr/\u003e\"Sherlock Holmes: The Man Who Never Lived and Will Never Die\" is at the Museum of London from 17 October till 12 April 2015.\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 16 October 2014\u003cbr/\u003e1. Various of Sherlock Holmes statue on Baker Street in central London\u003cbr/\u003e2. Wide of Baker Street sign on wall\u003cbr/\u003e3. Wide of Museum of London exterior\u003cbr/\u003e4. Pull focus of 'Sherlock Holmes: The Man Who Never Lived And Will Never Die' exhibition poster\u003cbr/\u003e5. Wide of museum staff member entering exhibition space via hidden door\u003cbr/\u003e6. Wide of Sherlock Holmes film posters on display\u003cbr/\u003e7. Tilt up of 'Sherlock Holmes' Chinese version film poster (2009)\u003cbr/\u003e8. Close of 'Study in Terror' film poster (1965)\u003cbr/\u003e9. Tilt up of  'Study in Terror' film poster (1965)\u003cbr/\u003e10. Setup shot of Alex Werner, Exhibition Lead Curator, looking at photographs on display\u003cbr/\u003e11. Tilt up of 'The Tower Bridge' (1909) by Alvin Langdon Coburn\u003cbr/\u003e12. SOUNDBITE (English) Alex Werner, Exhibition Lead Curator:\u003cbr/\u003e\"Well, Sherlock Holmes is the world's most famous fictional detective and there seems to be an incredible interest at the moment in this character and we felt this was the opportune time to do it. And there hasn't been an exhibition for over 60 years.\"\u003cbr/\u003e13. Mid of portrait of Sir Arthur Conan Doyle (1897) by Sidney Paget\u003cbr/\u003e14. Tilt up of portrait of Sir Arthur Conan Doyle (1897) by Sidney Paget\u003cbr/\u003e15. Pan left to 'A Study in Scarlet' manuscript notes (1886)\u003cbr/\u003e16. Various close shots of 'A Study in Scarlet' manuscript notes (1886)\u003cbr/\u003e17. SOUNDBITE (English) Alex Werner, Exhibition Lead Curator:\u003cbr/\u003e\"We have the holy of holies for 'Sherlockians' - the 'Sherrinford Holmes page' where, this is the moment that really we get the word Holmes for the first time, but Sherlock hasn't arrived yet.\"\u003cbr/\u003e18. Wide of woman looking at 'Pentonville Road, Looking West: Evening' (1884) by John O'Connor\u003cbr/\u003e19. Pan left of 'Pentonville Road, Looking West: Evening' (1884) by John O'Connor\u003cbr/\u003e20. Mid of 'Westminster Bridge, Houses of Parliament and Westminster Abbey seen from the River' (1872) by John Anderson \u003cbr/\u003e21. Tilt up of 'Westminster Bridge, Houses of Parliament and Westminster Abbey seen from the River' (1872) by John Anderson \u003cbr/\u003e22. Various of 221B-style door on display at exhibition\u003cbr/\u003e23. SOUNDBITE (English) David Cannadine, Historian:\u003cbr/\u003e\"I think we all tend to suppose that that late-19th century London as it really was, was the way it was in terms of how Conan Doyle depicted it. So, we think in particular of the gas lamps and the clattering of the horses hooves and the fogs in Baker Street. To some degree that's right, but actually Conan Doyle rather undersold the atmospherics of late-19th century London. He doesn't write about the traffic jams, he doesn't write about the smell of horse droppings, he doesn't write about the filth of the pavements.\"\u003cbr/\u003e24. Wide of woman taking picture of Sherlock Holmes illustrations from Strand Magazine\u003cbr/\u003e25. Various close shots of Sherlock Holmes illustrations from Strand Magazine\u003cbr/\u003e26. Wide of exhibition space\u003cbr/\u003e27. Pan left to 'Original Illustration of The Masarin Stone' (1921) by Frederic Dorr Steele\u003cbr/\u003e28. Close of 'Original Illustration of The Masarin Stone' (1921) by Frederic Dorr Steele\u003cbr/\u003e29. Mid of makeup and wigs on display\u003cbr/\u003e30. SOUNDBITE (English) David Cannadine, Historian:\u003cbr/\u003e\"One of the interesting aspects of Holmes is that he's this very schizophrenic creation. One the one side, he's Superman who can do everything - and Superman in fact appeared just before the Holmes and Watson stories start - but on the other side, he's a kind of Oscar Wilde, decadent and aesthete. And it's getting work, getting detection, getting the job to do, that transformed Holmes from being the wild and decadent aesthete into the energetic and infallible Superman.\"\u003cbr/\u003eAP Television\u003cbr/\u003eLos Angeles, US - 18 January 2014\u003cbr/\u003e31. Pull out from sign to Screen Actors Guild statue\u003cbr/\u003e32. Mid of Benedict Cumberbatch, Actor in continuing series 'Sherlock' posing for photographers\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 16 October 2014\u003cbr/\u003e33. Wide of exhibition space and Belstaff coat as worn by Benedit Cumberbatch in 'Sherlock' television series\u003cbr/\u003e34. Tilt up of Belstaff coat as worn by Benedit Cumberbatch in 'Sherlock' television series\u003cbr/\u003e35. SOUNDBITE (English) Alex Werner, Exhibition Lead Curator:\u003cbr/\u003e\"In this exhibition, we're very lucky to have Benedict Cumberbatch's Belstaff coat. So that - again - has almost become a new symbol for Sherlock.\"\u003cbr/\u003e36. Pan right of Strand Magazine to 'A Scandal in Bohemia' (July, 1891)\u003cbr/\u003e37. Pull focus of Strand Magazine to 'A Scandal in Bohemia' (July, 1891)\u003cbr/\u003e38. Wide of Strand Magazines\u003cbr/\u003e39. Various of Great Coat and deerstalker hat (1950)\u003cbr/\u003e40. SOUNDBITE (English) Alex Werner, Exhibition Lead Curator:\u003cbr/\u003e\"This is a character that has so many different aspects, so many different sides to him and we're just fascinated in this character. Every actor that interprets the role, there's some element that we find really appealing.\"\u003cbr/\u003e41. Wide of Sherlock Holmes drawing by Sidney Paget\u003cbr/\u003e42. 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