{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='News from the fifth day of the festival' data-url='/boclips/videos/5c54c130d8eafeecae1505c1' data-video-url='/boclips/videos/5c54c130d8eafeecae1505c1' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nNews from the fifth day of the festival\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003e1. Cannes, France -B-roll2. Clip - 'City of God'3. SOT Fernando Meirelles - \"Yeah, when a friend of mine gave me the book, it was a gift and he told me, this is the film you've got to do. I read the, how do you say it, the review, in tha...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003e1. Cannes, France -B-roll\u003cbr/\u003e2. Clip - 'City of God'\u003cbr/\u003e3. SOT Fernando Meirelles - \"Yeah, when a friend of mine gave me the book, it was a gift and he told me, this is the film you've got to do. I read the, how do you say it, the review, in tha back of the books and said no way, I'm not going to do a film about drug dealers in Rio de Janeiro, live in Sao Paolo, there's no way I'm gonna do this, but I will read. And I began to read the book and I got so impressed and so shocked to see all the things that were happening in my country and to discover after fourty five years that one side of my country that I thought I knew. When I finished the book it was already all over in marks, and correctors, and situations and good sequences to be, and I decided to shoot. So I called the author, and we talked a lot and I bought the rights.\"\u003cbr/\u003e4. Clip - 'City of God'\u003cbr/\u003e5. SOT Katia Lund  (On discovering the favellas in Brazil and wanting to make a documentary) - \"Because I realised that I lived in a country that I didn't know and my reality was not the reality and that I had been fooled, you know, by TV or by television or by my own ignorance.\" \u003cbr/\u003e6. Clip - 'City of God'\u003cbr/\u003e7. SOT Katia Lund - \"Right from the beginning we talked about this, we were concerned that the film would not only be entertaining, but that it would have a message in that people would leave the film and think about it reflect about it afterwards. It's not a film to go to and enjoy yourself for two hours and forget about it.\"\u003cbr/\u003e8. Clip - 'City of God'\u003cbr/\u003e9. B-Roll American pavilion\u003cbr/\u003e10. SOT Christina Ricci (on press attention) - \"You know I've been doing this a really long time so I'm pretty comfortable with it, I do get very freaked out and very nervous and I usually have a big freak out before I get dressed for a big premiere or something, but that usually just involves raging insecurity, and you check it, and you walk out the door and the second the cameras start flashing and people start asking questions you're fine.\"\u003cbr/\u003e11. Clip - 'The Gathering'\u003cbr/\u003e12. SOT Christina Ricci ( On why she did the film) - \"I liked the mythology behind the story, I love that kind of stuff you know, old wives tales, that kind of stuff. And then also, as I said, the script was scary, and very rarely do you read a script for a horror film that is actually frightening.\"\u003cbr/\u003e13. Clip - 'The Gathering'\u003cbr/\u003e14. SOT Christina Ricci - \"I didn't have to sort of prepare for any big emotional scenes or anything.\" (Q. Reporter - \"Do you actually do that, I mean if you have got a big emotional scene the next day?\") \"I stay up all night.\" (Q. Reporter - \"Do you submerge yourself into your role?\") \"No no no, the only thing I do is stay up all night because you know when you're really tired you're much more emotional; so yeah, I stay up, because you know when I'm tired I can cry, very easily, and just because I'm tired.\"\u003cbr/\u003e15. Clip - 'The Gathering'\u003cbr/\u003e16. SOT Christina Ricci on her career - \"I've never been the kind of person who is able to do what they're supposed to do. All my choices in and everything I do is based on you know impulse, and they're all emotional choices, and I have very little forethought. Thankfully I have agents who think about those things. But I really believe that if you're going to be renown and if you're going to be famous, it's because of who you are, and if you allow your choices to be based around you and your personality, then your choices are going to be successful.\" \u003cbr/\u003e17. Clip - 'The Gathering'\u003cbr/\u003e18. Clip - 'L'ora Di Religione'\u003cbr/\u003e19. SOT Marco Bellochio, director (Italian): \"My film is a critique, an opposition of the main character to the hypocrisy, the conformism, the repetition, to a type of religion that uses all means to maintain the power. The film is not against the religion as a whole.\"\u003cbr/\u003e20. B-Roll Sergio Castelito with girl\u003cbr/\u003e21. SOT Sergio Castelito - \"When you do a contemporary film you don't use only your professional skills, but you put into it the mission of your life. I am sure that I this film there is a lot of my of thinking, my doubts, my uncertainties, my questions and a big part of who I am. All this can be seen in the eyes of the character, which is not any longer a simple role, but it is a man's journey to the end of the film.\"\u003cbr/\u003e22. Clip - 'L'ora Di Religione'\u003cbr/\u003e23. Cast of 'Punch Drunk Love' on the Cannes steps\u003cbr/\u003e24. WS press conference\u003cbr/\u003e25. SOT Paul Thomas  Anderson (on being at Cannes) - \"There's really no decision to be here, it's a privilege, and it's an honour, and it's the film festival, and it's really not a choice, you just desperately want it.\"\u003cbr/\u003e26. SOT Adam Sandler - \"He's very excited and so am I, and so are these two, three people.\"\u003cbr/\u003e27. Clip - 'Punch Drunk Love'\u003cbr/\u003e28. SOT Paul Thomas Anderson - on the romance - \"The other things that were going on besides just the kind of, the putting concept was for me wanting to make a romantic comedy, and really particularly wanting to work with Adam and Emily, those were the three main things, to try and make, the fourth would be to make a ninety minute movie. Sort of, to try and save everybody a little bit of time.\"\u003cbr/\u003e29. SOT Emily Watson - on doing the movie - \"Well Paul took me to lunch at Art's Deli in Ventura Boulevard and I said, I didn't wanna cry and I didn't wanna die, and he said what sounded like a good idea, and I don't know it's...it didn't feel like a movie where I had a thing that I had to do, I just had to be there and just love it, love being there and you know get into it.\"\u003cbr/\u003e30. SOT Adam Sandler - on kissing Emily - \"It was the first time I've ever kissed a girl in a movie where I was sitting next to my girlfriend and she actually wasn't mad at me. She was like, \"Aaaahhh,\" that was a big plus in my life.\"\u003cbr/\u003e31. Clip - 'Punch Drunk Love'\u003cbr/\u003eCannes always provides a stage for world cinema that take audiences to the forgotten and foresaken corners of the globe.\u003cbr/\u003eThis year is no different and one of the most well received movies so far is 'City of God,' a hard hitting epic about drug trafficking in Brazil's most notorious slum.\u003cbr/\u003eThe discovery of the slums themselves also changed the lives of its directors.\u003cbr/\u003eFernando Meirelles was searching for a feature to make, but was convinced that Paolo Lins' novel 'City of God' wasn't the one - he wasn't interested in drugs or guns.\u003cbr/\u003eBut after reading the novel, his perspective changed:\u003cbr/\u003e\"Yeah, when a friend of mine gave me the book, it was a gift and he told me, this is the film you've got to do. I read the, how do you say it, the review, in the back of the books and said no way, I'm not going to do a film about drug dealers in Rio de Janeiro, live in Sao Paolo, there's no way I'm gonna do this, but I will read. And I began to read the book and I got so impressed and so shocked to see all the things that were happening in my country and to discover after fourty five years that one side of my country that I thought I knew. When I finished the book it was already all over in marks, and correctors, and situations and good sequences to be, and I decided to shoot. So I called the author, and we talked a lot and I bought the rights.\"\u003cbr/\u003eAfter that he gave up his job directing adverts and moved to Rio to prepare for the movie.\u003cbr/\u003eCo-director Katia Lund had had her own epiphany a few years earlier. Sent into the favella to make a music video, she was shocked at the world she discovered there. \u003cbr/\u003eThe force of her realisation led to make a documentary on the subject, and would lead her to work with Fernando Meirelles on the feature 'City of God.'\u003cbr/\u003e'City of God' tells the story of how the drug lords took over the Cidade De Deus favella, a notorious Rio suburb, in the 1970s. The dangerous location is also the film's protagonist.\u003cbr/\u003eBuscape, a young black photographer, narrates the film and it is through his eyes that we see the lives, battles, loves and deaths of the many inter-connected characters.\u003cbr/\u003eThe directors assembled a cast of 110 young non-professional actors from different Rio communities, and collaborated with them in acting workshops for 8 months before filming. Their personal experiences, and the improvisations from those workshops, where crucial in writing the final script.\u003cbr/\u003eThe result is makes for uncomfortable viewing at times, but that's all part of the plan, according to Katia Lund: \u003cbr/\u003eReviews so far have been positive, with some saying the film will propel the Meirelles into the international spotlight. The film is playing out of competition in the official selection.\u003cbr/\u003e\"Right from the beginning we talked about this, we were concerned that the film would not only be entertaining, but that it would have a message in that people would leave the film and think about it reflect about it afterwards. It's not a film to go to and enjoy yourself for two hours and forget about it.\"\u003cbr/\u003eAs one of the few American celebrities in Cannes so far, Christina Ricci, who is seeking distribution for her horror 'The Gathering,' hasn't been wanting for attention.\u003cbr/\u003eBut even though she's been doing this for a while, she still has \"issues\" to deal with before coming out into the public eye.\u003cbr/\u003e\"You know I've been doing this a really long time so I'm pretty comfortable with it, I do get very freaked out and very nervous and I usually have a big freak out before I get dressed for a big premiere or something, but that usually just involves raging insecurity, and you check it, and you walk out the door and the second the cameras start flashing and people start asking questions you're fine.\"\u003cbr/\u003e'The Gathering,' by British director Brian Gilbert, tells the story of an American backpacker who becomes amnesic after a car accident. \u003cbr/\u003eTaken in by the family of the woman who hit her, she develops a strange relationship with their young son - sharing in his spooky premonitions.\u003cbr/\u003eRicci explains why she took the part:\u003cbr/\u003e\"I liked the mythology behind the story, I love that kind of stuff you know, old wives tales, that kind of stuff. And then also, as I said, the script was scary, and very rarely do you read a script for a horror film that is actually frightening.\"\u003cbr/\u003eIt is her first horror movie, and she said the acting has actually been easier than her normal emotionally involved roles:\u003cbr/\u003e\"I didn't have to sort of prepare for any big emotional scenes or anything.\" (Q. Reporter - \"Do you actually do that, I mean if you have got a big emotional scene the next day?\") \"I stay up all night.\" (Q. Reporter - \"Do you submerge yourself into your role?\") \"No no no, the only thing I do is stay up all night because you know when you're really tired you're much more emotional; so yeah, I stay up.\"\u003cbr/\u003eRicci, who shot to fame in the 'Addams Family' at the tender age of 11, has managed what few child stars do - to develop a career into adulthood. Her filmography is as impreesive as it is eclectic, ranging from 'Buffalo 66,' through the 'Ice Storm' to 'The Opposite of Sex.' She says she's glad to be constantly in work but not too famous, but admits she didn't really plan any of it.\u003cbr/\u003eShe told APTN: \"All my choices in and everything I do is based on you know impulse, and they're all emotional choices, and I have very little forethought. Thankfully I have agents who think about those things.\"\u003cbr/\u003eBut it seems to be working - \"The Gathering\" has found distribution with Dimension Films, a Miramax label, for North America, the UK, Italy, Australia \u0026amp; South Africa. \u003cbr/\u003e'L'ora Di Religione' is a powerful and controversial movie that examines the pervasive power of the Vatican in Italy.\u003cbr/\u003eErnesto is a successful painter who is told by a cardinal that his mother is in the process of being made a saint. The revelation rocks his world - his family haven't mentioned anything and it goes against everything he believes in as an artist and an atheist.\u003cbr/\u003eWhen his family pressurize him to become an active participant in the beatification process the conflicts explode, forcing him to reconsider every aspect of his life.\u003cbr/\u003eDirector Marco Bellocchio says the film isn't against religion, it's against hypocrisy: \u003cbr/\u003e\"My film is a critique, an opposition of the main character to the hypocrisy, the conformism, the repetition, to a type of religion that uses all means to maintain the power. The film is not against the religion as a whole.\"\u003cbr/\u003eSergio Castelito, who plays Ernesto, feels says he put a lot of himself into the character: \u003cbr/\u003e\"When you do a contemporary film you don't use only your professional skills, but you put into it the mission of your life. I am sure that I this film there is a lot of my of thinking, my doubts, my uncertainties, my questions and a big part of who I am. All this can be seen in the eyes of the character, which is not any longer a simple role, but it is a man's journey to the end of the film.\"\u003cbr/\u003eIt all started with pudding.\u003cbr/\u003ePaul Thomas Anderson, the talented young director of 'Boogie Nights'and 'Magnolia,' read an article about a guy who bought a load of pudding to take advantage of a frequent-flyer promotion.\u003cbr/\u003eThen he got Adam Sandler to be in his movie.\u003cbr/\u003eThus was born 'Punch-Drunk Love,' starring Sandler and Emily Watson, a film that's described as a romantic comedy but has lots more edge than most romantic comedies.\u003cbr/\u003eThe film, one of the most highly anticipated at Cannes this year, should play well with Anderson fans. But it may be less successful with European audiences, who liked 'Magnolia' but have little knowledge or appreciation of Sandler and his comedy.\u003cbr/\u003eThe film is a departure for director and stars alike.\u003cbr/\u003eAfter the long and weighty 'Magnolia,' Anderson wanted to make a lighter film - and a shorter one as well. 'Punch-Drunk Love' clocks in at 90 minutes. \"I wanted to save everybody a little bit of time in their day,\" the director says.\u003cbr/\u003eAs for Sandler, he's best known for his comic turns on 'Saturday Night Live (news - Y! TV)' and for movies like 'Big Daddy' and 'The Wedding Singer' - not hip, offbeat films like Anderson's. And Watson, the star of 'Breaking the Waves' and 'Angela's Ashes,' usually inhabits much more serious fare.\u003cbr/\u003eAnderson says he chose Sandler because \"I love him. I absolutely think he's the greatest. I  fell in love with him when I saw 'Saturday Night Live'.\"\u003cbr/\u003eWatson says she had lunch with Anderson and told him: \"I don't want to cry or die anymore.\" He said fine.\u003cbr/\u003eThe idea came from an article in Time magazine. David Phillips, a civil engineer in California, had figured out how to accumulate 1.25 million frequent-flyer miles by buying 12,150 cups of Healthy Choice pudding for dlrs 3,000.\u003cbr/\u003eAnderson met with Phillips and bought his story. It was the launching point for Sandler's character, Barry Egan, who runs a business out of a warehouse and is hounded by seven pushy sisters, whose abuse has left him unable to fall in love.\u003cbr/\u003eOne night, he uses a phone sex service, just to talk to someone. The sleazy operators of the service then try to blackmail him, chasing him down at work and home to demand money, then sending a bunch of lowlifes to rough him up.\u003cbr/\u003eAt the same time, Barry is falling for a mysterious woman, Lena (Watson). The budding relationship will force him to master some of his darker impulses - like bashing down the glass doors at his sister's house or smashing up a restaurant bathroom while on a date.\u003cbr/\u003eWhen Lena goes to Hawaii on a business trip, Barry follows. There, the two fall in love - \"punch-drunk\" love. But trouble awaits back home in California, where the lowlifes are back, smashing into Barry's car and injuring Lena.\u003cbr/\u003eIn a sign that love has given him strength, the normally timid Barry fights back with a crowbar. Then he goes all the way to Utah to track down the phone sex operator, an easily excitable sort played by Anderson regular Philip Seymour Hoffman. The scene in which Barry asserts himself, getting his pursuer to back off, is among the most affecting in the movie.\u003cbr/\u003eRunning through the film is the pudding scheme; it is part of Egan's plan to win Lena and keep her.\u003cbr/\u003eSandler is well aware that few expected him to surface in a serious film, even one that's termed a romantic comedy. He joked about it at a news conference on Sunday, when a journalist asked a long and convoluted question in French that no one understood. \"It's the why-Adam Sandler question again,\" Sandler offered.\u003cbr/\u003eShown last night, the film has confounded reviewers, who don't think it's funny enough to be called a romantic comedy. \"The most downbeat romantic comedy ever made\" says Screen international. Sandler is praised for revealing depths no-one could have imagined her possessed from his previous work. Watson is also good as a tender lover who redeems Sandler's anti-social loner.\u003cbr/\u003eScreen International concludes: \"certainly this self-consiously arty and quite remarkably depressive picture seems destined for the box office wilderness\" - certianly not something that will hamper its chances in Cannes. In fact, maybe the comedy without any laughs is the ultimate Palme D'or film.\u003cbr/\u003e\"L'Ora Di Religione\"\u003cbr/\u003eOCÉAN FILMS - 40 avenue Marceau - 75008 Paris - France - Tél. : 01 56 62 30 30 - Fax : 01 56 62 30 40 - Email : ocean@ocean-films.com\u003cbr/\u003e\"Punch - Drunk Love\"\u003cbr/\u003eCOLUMBIA FILM FRANCE - 131 avenue de Wagram - 75017 Paris - France - Tél. : 01 44 40 60 00 - Fax : 01 44 40 62 01\u003cbr/\u003e\"Cidade de Deus\" (City Of God)\u003cbr/\u003eMARS DISTRIBUTION - 12, avenue de Messine - 75008 Paris - France - Tél. : 01 58 56 75 00 - Fax : 01 58 56 75 01 - e-mail : scelerier@marsfilms.com\u003cbr/\u003e\"The Gathering\"\u003cbr/\u003eDimension Films\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid 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href=\"/search?keywords=grid+coordinates+map\u0026amp;page=2\u0026amp;search_tab_id=1\u0026amp;subject_ids%5B%5D=1216220\"\u003eAll Subjects\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eMedia Type\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=grid+coordinates+map\u0026amp;page=2\u0026amp;search_tab_id=2\u0026amp;type_ids%5B%5D=4543650\"\u003eNews Clips\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSource:\u003c/dt\u003e\n\u003cdd\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eDate\u003c/dt\u003e\n\u003cdd\u003e2002\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003ci aria-hidden='true' class='fai fa-solid fa-language'\u003e\u003c/i\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudiences\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?audience_ids%5B%5D=371079\u0026amp;keywords=grid+coordinates+map\u0026amp;page=2\u0026amp;search_tab_id=1\"\u003eFor Teacher Use\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\u003cdd class=\"text-muted\"\u003e\u003ci class=\"fa-solid fa-lock mr5\"\u003e\u003c/i\u003e2 more...\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='concepts-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='concepts-heading'\u003eConcepts\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list concepts' data-identifier='Boclips::VideoDecorator' data-type='concepts'\u003efilm, entertainment, south america, western europe, air travel, paris, love, brazil, night, france, time, europe, work, italy\u003c/div\u003e\n\u003cdiv class='concepts-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='additional-tags-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='additional-tags-heading'\u003eAdditional Tags\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list keyterms' data-identifier='Boclips::VideoDecorator' data-type='keyterms'\u003emarco bellocchio, documentaries, watch, rio de janeiro, paul thomas anderson, reason, thing, frequent flyer programs, script, philip seymour hoffman, based, gay boy, fine, remember, comedy movies, kind, horror movies, people, lifestyle, reality, movies, arts and entertainment, talked, feel, celebrity relationships, adam sandler, david phillips, movie, back, celebrity, emily watson, read, country, walk, fernando meirelles, stay, sort, travel, paul thomas, choices, christina ricci, book, leave, romantic comedies, emotional, tired, latin america and caribbean\u003c/div\u003e\n\u003cdiv class='keyterms-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='educator-ratings-heading' class='rp-info-section'\u003e\n\u003ch2 class='title sr-only' id='educator-ratings-heading'\u003eEducator Ratings\u003c/h2\u003e\n\u003cdiv id=\"educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"all-educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"educator-rating-form-root\"\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-resource'\u003e\n\u003cdiv aria-label='Show resource details' class='rp-show-info' role='button' tabindex='0'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\nShow resource details\n\u003c/div\u003e\n\u003cdiv aria-label='Video player' class='player' id='player-wrapper' role='region'\u003e\n\u003cdiv class='relative container mx-auto' id='lp-boclips-visitor-thumbnail'\u003e\n\u003ca class=\"block\" data-html=\"true\" data-placement=\"bottom\" data-trigger=\"click\" data-content=\"\u003cdiv class=\u0026quot;text-center py-2\u0026quot;\u003e\u003ca class=\u0026quot;bold\u0026quot; href=\u0026quot;/auth/users/sign_in\u0026quot;\u003eSign in\u003c/a\u003e or \u003ca class=\u0026quot;bold text-danger\u0026quot; data-posthog-event=\u0026quot;Signup: LP Signup Activity\u0026quot; data-posthog-location=\u0026quot;body_link_boclips\u0026quot; data-remote=\u0026quot;true\u0026quot; href=\u0026quot;/subscription/new\u0026quot;\u003eJoin Now\u003c/a\u003e\u003c/div\u003e\" data-title=\"Get Full Access\" data-container=\"body\" rel=\"popover\" tabindex=\"0\" aria-label=\"Play video: News from the fifth day of the festival\" href=\"/subscription/new\"\u003e\u003cimg class=\"resource-img img-thumbnail img-responsive z-10 lp-boclips-thumbnail w-full h-full lozad\" alt=\"News from the fifth day of the festival\" title=\"News from the fifth day of the festival\" onError=\"handleImageNotLoadedError(this)\" data-default-image=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" data-src=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" width=\"315\" height=\"220\" src=\"data:image/png;base64,R0lGODlhAQABAAD/ACwAAAAAAQABAAACADs\" /\u003e\n\u003cspan aria-hidden='true' class='flex justify-center items-center bg-white rounded-full w-16 h-16 absolute top-1/2 left-1/2 -mt-8 -ml-8 cursor-pointer z-0 border-2 border-primary drop-shadow-md lp-boclips-thumbnail-playBtn'\u003e\n\u003ci class='fa-solid fa-play text-primary text-3xl ml-1 drop-shadow-xl'\u003e\u003c/i\u003e\n\u003c/span\u003e\n\u003c/a\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n"}