{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Ghostly exhibition explores 250 years of gothic literature' data-url='/boclips/videos/5c54c1c9d8eafeecae154d28' data-video-url='/boclips/videos/5c54c1c9d8eafeecae154d28' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nGhostly exhibition explores 250 years of gothic literature\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eA vampire slaying kit, a manuscript of Bram Stoker's 'Dracula' and a letter thought to be written by Jack The Ripper are some of the artefacts in a ghostly exhibition exploring 250 years of gothic literature.In the 1760s, British writer...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eA vampire slaying kit, a manuscript of Bram Stoker's 'Dracula' and a letter thought to be written by Jack The Ripper are some of the artefacts in a ghostly exhibition exploring 250 years of gothic literature.\u003cbr/\u003eIn the 1760s, British writer Horace Walpole inadvertently named the gothic genre and it still exists today, inspiring films like the 'Twilight' vampire series.\u003cbr/\u003eA vampire slaying kit - complete with wooden stakes, a mallet, pistol and crucifix.\u003cbr/\u003eIt dates back to the mid-Victorian era and although there's no evidence it was ever used to sleigh any vicious vampires, there's thought to be around 80 similar kits in existence today.\u003cbr/\u003eThe kit is now taking pride of place in an exhibition at London's British Library which explores 250 years of gothic literature.\u003cbr/\u003eThere's 1960s film posters, Frankenstein comic books and an old painting depicting bandits; a regular feature in gothic novels during the late 18th century.\u003cbr/\u003e\"Terror and Wonder celebrates 250 years of gothic literature, British gothic literature, right from the start in 1764 with Horace Walpole's 'The Castle of Otranto' and takes the story up to 2014 and looks at the modern day goth scene,\" says Tim Pye, the exhibition's lead curator.\u003cbr/\u003eIn 1765, British writer Horace Walpole published the second edition of his novel 'The Castle of Otranto'.\u003cbr/\u003eThis version included the subtitle 'a Gothic story' and also identified Walpole as the author for the first time.\u003cbr/\u003eThe novel tells the story of Manfred, the Prince of Otranto (a town in Italy), and his attempts to secure the castle for his descendants.\u003cbr/\u003eReaders loved it and the 500 copies of the first edition sold out quickly.\u003cbr/\u003e\"So, Horace Walpole, he had a nightmare in the summer of 1764 and he woke from that nightmare and for the next eight weeks he wrote his nightmare down into a novel,\" explains Pye.\u003cbr/\u003e\"And he issued that novel and the second edition of it, he subtitled it 'A Gothic Story'. And by calling it a gothic story he inadvertently named the genre that still exists today.\"\u003cbr/\u003eThe exhibition also features perhaps gothic literature's most famed character; Dracula.\u003cbr/\u003eVampires had featured in gothic literature before but after its publication in 1897, Dracula took centre-stage.\u003cbr/\u003eThe book highlighted Victorian concerns about immigration and disease.\u003cbr/\u003eThe exhibition features Bram Stoker's manuscript for the theatre adaptation of 'Dracula'.\u003cbr/\u003eIt was assembled before the novel's publication and is thought to have been produced so the writer could protect the dramatic rights of his book.\u003cbr/\u003e\"One of the key pieces in the exhibition is a manuscript of 'Dracula' in Stoker's own hand,\" says Pye.\u003cbr/\u003e\"It's a dramatised version that he produced to protect the copyright of his story. And he had it read through on stage a few weeks before the novel was released. And it just goes to show that Stoker already knew that his story might well be popular and it's endured because at the time it was reacting to new developments in society, but with each generation the vampire myth has been changed and developed.\"\u003cbr/\u003eThe exhibition also features a letter thought to have been written by Jack The Ripper, an unidentified Victorian serial killer who stalked London in the late 1880s.\u003cbr/\u003eThe letter - named 'Dear Boss' - was received by a news agency on 27 September 1888 and was passed on to police two days later.\u003cbr/\u003eWhile police received several letters claiming to be from the murderer, this letter referenced details of a murder discovered just a few days later.\u003cbr/\u003e\"It was a letter that was sent to a news agency at the time of the Whitechapel murders and was written by someone purporting to be Jack the Ripper,\" says Pye.\u003cbr/\u003e\"And the details of the letter are really grim, but one of the things that made people take it seriously was that it predicted things that happened to the next victim which actually did occur.\"\u003cbr/\u003eContinuing from the start of the 20th century onwards, the exhibition shows through film posters and other artefacts how the gothic tradition created by Walpole's novel has continued to the present day.\u003cbr/\u003e\"One of our major sections in the exhibition looks at the period from 1900 up to the present day,\" says Pye.\u003cbr/\u003e\"And we see that in that contemporary period gothic is going in many different directions. So, there is rarely a week that goes by without another horror film that has a lot of gothic element in it. And gothic is still a huge literary phenomenon, you just need to look at things like 'Twilight' or a zombie mash-up novel and just see how successful they are.\"\u003cbr/\u003eThe exhibition also features photos from Whitby Goth Weekend.\u003cbr/\u003eThe British town - featured in Bram Stoker's 'Dracula' - hosts a twice-yearly gathering where attendees pay homage to the history of gothic literature and film.\u003cbr/\u003eThe photos were taken by photographer Martin Parr and were specially commissioned for the exhibition.\u003cbr/\u003eWhile many may dismiss the genre as simple scare-mongering, Pye claims that for centuries gothic literature has been used to express real fears about the changing world around us.\u003cbr/\u003e\"All the way through the exhibition, we try to highlight different events or different changes in society that gothic's reacting to,\" he says.\u003cbr/\u003e\"So, in the 1790s you have the French revolution, in the Victorian period you have social ills, so the plight of the poor. And (Charles) Dickens uses gothic imagery to emphasise that. But even take it up to the present day you have gothic literature talking about fears we have for our children in society.\"\u003cbr/\u003e'Terror and Wonder: The Gothic Imagination' runs at London's British Library until 20 January 2015.\u003cbr/\u003eAP Television\u003cbr/\u003eLondon, UK - 8 October 2014\u003cbr/\u003e1. Various of mid-Victorian era vampire slaying kit on display at British Library's 'Terror and Wonder' exhibition\u003cbr/\u003e2. Pan right to promotional poster for 'The Plague of the Zombies' 1966\u003cbr/\u003e3. Close of poster\u003cbr/\u003e4. Mid of books and comic books\u003cbr/\u003e5. Tilt up to 'The Monster of Frankenstein' Issue 5. 1954\u003cbr/\u003e6. Pull out from screen showing Frankenstein film to 'Travellers Attacked by Banditti' by Philip James de Loutherbourg, 1781\u003cbr/\u003e7. Pan right of painting\u003cbr/\u003e8. Setup shot of Tim Pye, Lead Curator of Exhibition, looking at skeleton-style alarm clock, 1840-1900\u003cbr/\u003e9. Pull focus of alarm clock\u003cbr/\u003e10. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"Terror and Wonder celebrates 250 years of gothic literature, British gothic literature, right from the start in 1764 with Horace Walpole's 'The Castle of Otranto' and takes the story up to 2014 and looks at the modern day goth scene.\"\u003cbr/\u003e11. Tilt down to the second edition of Horace Walpole's 'The Castle of Otranto' 1765\u003cbr/\u003e12. Pull focus of book\u003cbr/\u003e13. Pull out from screen to books on display\u003cbr/\u003e14. Mid of portrait of Horace Walpole by John Giles Eccardt, 1754\u003cbr/\u003e15. Close tilt up of portrait\u003cbr/\u003e16. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"So, Horace Walpole, he had a nightmare in the summer of 1764 and he woke from that nightmare and for the next eight weeks he wrote his nightmare down into a novel. And he issued that novel and the second edition of it, he subtitled it 'A Gothic Story'. And by calling it a gothic story he inadvertently named the genre that still exists today.\"\u003cbr/\u003e17. Wide of promotional poster of 'Gothic', 1986\u003cbr/\u003e18. Various close shots of poster\u003cbr/\u003e19. Pan right to Bram Stoker's play script adaptation of 'Dracula' \u003cbr/\u003e20. Various close shots of play script\u003cbr/\u003e21. Tilt up of poster showing actor playing 'Dracula'\u003cbr/\u003e22. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"One of the key pieces in the exhibition is a manuscript of 'Dracula' in Stoker's own hand. It's a dramatised version that he produced to protect the copyright of his story. And he had it read through on stage a few weeks before the novel was released. And it just goes to show that Stoker already knew that his story might well be popular and it's endured because at the time it was reacting to new developments in society, but with each generation the vampire myth has been changed and developed.\"\u003cbr/\u003e23. High pan right of letter sent to Central News Agency called 'Dear Boss', September 1888\u003cbr/\u003e24. Various close shot of letter\u003cbr/\u003e25. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"It was a letter that was sent to a news agency at the time of the Whitechapel murders and was written by someone purporting to be Jack the Ripper. And the details of the letter are really grim, but one of the things that made people take it seriously was that it predicted things that happened to the next victim which actually did occur.\"\u003cbr/\u003e26. Tilt up of 'Lust for a Vampire', 1971 poster\u003cbr/\u003e27. Wide of film posters\u003cbr/\u003e28. Close pan right of poster for 'The Birds', 1963\u003cbr/\u003e29. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"One of our major sections in the exhibition looks at the period from 1900 up to the present day. And we see that in that contemporary period gothic is going in many different directions. So, there is rarely a week that goes by without another horror film that has a lot of gothic element in it. And gothic is still a huge literary phenomenon, you just need to look at things like 'Twilight' or a zombie mash-up novel and just see how successful they are.\"\u003cbr/\u003e30. Wide of books on display\u003cbr/\u003e31. Mid of journal of William Cole, 3 September 1762\u003cbr/\u003e32. Pull focus of drawing inside journal\u003cbr/\u003e33. Various of photos showing people attending Whitby Goth Weekend by Martin Parr\u003cbr/\u003e34. SOUNDBITE (English) Tim Pye, Lead Curator of Exhibition:\u003cbr/\u003e\"All the way through the exhibition, we try to highlight different events or different changes in society that gothic's reacting to. So, in the 1790s you have the French revolution, in the Victorian period you have social ills, so the plight of the poor. And (Charles) Dickens uses gothic imagery to emphasise that. But even take it up to the present day you have gothic literature talking about fears we have for our children in society.\"\u003cbr/\u003e35. Pull out from screen to 'Were-Rabbit' puppet used in 'The Curse of the Were-Rabbit', 2005\u003cbr/\u003e36. Close of puppet\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid 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