{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Art and theatre collide in \u0026#39;Little Dancer Aged 14\u0026#39;' data-url='/boclips/videos/5c54c227d8eafeecae15795a' data-video-url='/boclips/videos/5c54c227d8eafeecae15795a' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nArt and theatre collide in \u0026#39;Little Dancer Aged 14\u0026#39;\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eThe impressionist artist Degas is famous for his representations of ballerinas in paintings and statues. Degas frequented the back corridors of the Opera in Paris, painting and drawing the young dancers as they practiced.Now the story of...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eThe impressionist artist Degas is famous for his representations of ballerinas in paintings and statues. Degas frequented the back corridors of the Opera in Paris, painting and drawing the young dancers as they practiced.\u003cbr/\u003eNow the story of a young ballerina who posed for Edgar Degas's famous statue is to be retold as a musical. \u003cbr/\u003eShe's been the centre of attention in any room for 135 years.\u003cbr/\u003eThe statue, \"Little Dancer Aged Fourteen,\" by Edgar Degas caused a stir when she was first exhibited in 1881 and today she still draws a crowd.\u003cbr/\u003eAlison Luchs, Acting Head of Sculpture and Decorative Arts, National Gallery of Art says that although there are copies of the work, this is the original. \u003cbr/\u003e\"The statuette is the only work of sculpture that Degas exhibited in his lifetime.  And, its also the original version of a very famous statuette, famous because after Degas' death it was replicated at his family's wishes in beautiful bronze casts, more than 30 of them.  And those can be seen today in museums all over the world and in private collections.  But the original, the only one that Degas ever touched or saw, is the one that's here in the room.\"\u003cbr/\u003eRecently, the only statue of Little Dancer Aged Fourteen that Degas ever saw or worked on was part of a special exhibition at the National Gallery of Art in Washington. \u003cbr/\u003eDegas created the statue out of wax, with an interior structure filled with just about anything he could find in his studio - including paint brushes.\u003cbr/\u003eHe gives her a human hair blonde wig and then covers it in wax - the same with her ballet slippers and tutu.\u003cbr/\u003eLuch says the representation of a young girl on the brink of womanhood was important to Degas. \u003cbr/\u003e\"We see her at the age of 14 and Degas carefully included her age in the title.  He often didn't give his paintings and sculptures titles at all.  This one, it really mattered to him to tell you that she was 14, meaning that she was at the beginning, she was on the brink, she could go either way.\"\u003cbr/\u003eThe exhibition is in conjunction with the premiere of a new musical ballet, \"The Little Dancer\" produced by the Kennedy Centre.\u003cbr/\u003eSusan Stroman is the show's director and choreographer. \u003cbr/\u003eShe explains: \"Adult Marie enters Degas' studio and starts to think about the ballet and the set changes to the Paris Opera ballet in 1881.  So, right before your eyes that's going to happen.  So, here we go.  The cast of Little Dancer.\"\u003cbr/\u003eCurrently in rehearsal, the production focuses on the life of the teenager Marie van Goethem, dancer at the Paris Opera in the early 1880s.\u003cbr/\u003ePart fact, part fiction, the story centres on Marie, her dancing, her friendship with Degas and what happened to her after she left the Paris Opera.\u003cbr/\u003eShe was one of the famous \"Opera Rats\" as the young ballerinas were called were called.\u003cbr/\u003eIn the production, an older Marie looks back with fondness on her memories when she danced and became the model for Degas' famous statue.\u003cbr/\u003eTiler Peck, who plays the fourteen year old, says Marie's independent spirit drew the great artist to her. \u003cbr/\u003e\"They loved to bicker ... Degas and Marie .. You know, they're like, he's finally met a ballerina who isn't afraid to speak.  And, I think that that's what really special about her - she's not scared of him and she's not afraid to speak her mind. \"\u003cbr/\u003eMarie van Goethem was born to poor parents who left Belgium for a life in Paris.\u003cbr/\u003eShe joined the Paris Opera ballet company and attracts the attention of Degas.\u003cbr/\u003eThe production shows this aspect of Degas' artistic life in scenes composed around the artist's working style and the model.\u003cbr/\u003eThe story opens with Degas visiting a dance rehearsal looking for a model.\u003cbr/\u003eNeeding new ballet slippers, Marie steals his wallet for the money, only to have Degas nearly catch her in the act.\u003cbr/\u003eDegas was all about art and there's no hint of anything other than a proper relationship between the two.\u003cbr/\u003eDegas was notorious for keeping his models in pose while he worked, and the little dancer stage production in the studio scenes as Marie assumes the ballet fourth position for the artist.\u003cbr/\u003e\"Degas really sort of became obsessed with drawing her and painting her, you see her face in many of his pictures and paintings.  So, really, the idea was to bring her back to life.\"  explains Stroman. \u003cbr/\u003eThe year after Degas finished his statues, Paris Opera records show Marie is dismissed from the company probably for being late too many times to rehearsal.\u003cbr/\u003eAnd, she disappears into history - without a trace.\u003cbr/\u003eMany poor young women who were in the opera company sought out male 'protectors' from the Paris elite \u003cbr/\u003eThis opens up all sorts of possibilities in the musical production. \u003cbr/\u003e\"When I look at that statue, I believe that Degas selected her because she had character, she had wit, she had ... there was something about her that was different than the others.  She didn't look like the other dancers, she had more of a fight to her, something, a real spirit inside.  And, I feel like that's what inspired him to draw her.\" says Stroman. \u003cbr/\u003eDegas worked and re-worked the statue for over a year, finally exhibiting her in the 1881 Sixth Impressionist exhibition.\u003cbr/\u003eThe reviews were not all favourable, many questioning the style, use of human hair, a fabric tutu and real ballet slippers on the sculpture. \u003cbr/\u003eDegas was disappointed in the reception, and removed the statue to a closet in his studio for the rest of his life.\u003cbr/\u003eAfter his death, the statue became the centre of attention - and a series of bronze statues were cast from the original.\u003cbr/\u003eBut the story, as well as the statue, remain focused on Marie adds Stroman.\u003cbr/\u003e\"It's a serious story because it does touch on the plight of women in Paris in 1881 and what their options were. So, it does have a very serious tone to it.  Yet, within that, it has the joy of dance.\"  \u003cbr/\u003eLittle Dancer, eyes half closed in concentration, represents a girl whose life hangs in the balance between ascent and downward spiral.\u003cbr/\u003eThe production of Little Dancer premieres at the Kennedy Centre in Washington D.C., on October 25 and runs through November.\u003cbr/\u003eWashington, DC -  September 30, 2014\u003cbr/\u003e1.  Tight close up of the face of the Edgar Degas statue:  \"Little Dancer Aged Fourteen\" - pull out\u003cbr/\u003e2.  Tilt up from the ballet slippers to full view of the statue\u003cbr/\u003e3.  SOUNDBITE:  (English)  Alison Luchs, Acting Head of Sculpture and Decorative Arts, National Gallery of Art:\u003cbr/\u003e\"The statuette is the only work of sculpture that Degas ever exhibited in his lifetime.  And, its also the original version of a very famous statuette, famous because after Degas' death it was replicated at his family's wishes in beautiful bronze casts, more than 30 of them.  And those can be seen in museums all over the world today and in private collections.  But the original, the only one that Degas ever touched or saw, is the one that's here in this room.\"\u003cbr/\u003e4.  Wide view of gallery with wide profile view of statue\u003cbr/\u003e5.  Close view of ballet slippers\u003cbr/\u003e6.  Close view of ribbon in hair\u003cbr/\u003e7.  Mid view tilt up from tutu to face\u003cbr/\u003e8.  SOUNDBITE:  (English)  Alison Luchs, Acting Head of Sculpture and Decorative Arts, National Gallery of Art:\u003cbr/\u003e\"We see her at the age of 14, and Degas carefully included her age in the title of the sculpture.  He often didn't give his paintings and drawings and sculptures titles at all.  This one, it really mattered to him to tell you that she was 14, meaning she was at the beginning, she was on the brink, she could go either way.\"\u003cbr/\u003e9.  Close view of head \u003cbr/\u003eNew York - 6 October, 2014\u003cbr/\u003e10.  UPSOUND:  (English) Susan Stroman, Director and Choreographer - Little Dancer:\u003cbr/\u003e\"Adult Marie enters Degas' studio and starts to think about the ballet and the set changes to the Paris Opera ballet in 1881.  So, right before your eyes that's going to happen.  So, here we go.  The cast of Little Dancer.\"\u003cbr/\u003e11.  Various of rehearsals of production number where Marie meets Edgar Degas for the first time\u003cbr/\u003e12.  SOUNDBITE:  (English)  Tiler Peck, \"Young Marie\" - Little Dancer:\u003cbr/\u003e\"I just feel like they just love to bicker, Degas and Marie. You know, they're like, he's finally met a ballerina who isn't afraid to speak.  And I think that's what's really special about her is that she's not scared of him and she's not afraid to speak her mind when normally ballerina's, you know, you don't think they speak.\"\u003cbr/\u003e13.  Degas and Marie in his studio\u003cbr/\u003e14.  Marie in \"fourth position\u003cbr/\u003e15.  Degas at the preliminary statue, turns around to find Marie eating an apple which he can't accept\u003cbr/\u003e16.  SOUNDBITE:  (English)  Susan Stroman, Director and Choreographer - Little Dancer:\u003cbr/\u003e\"She came from a very poor family, but wanted to become a ballerina.  And, Degas really sort of became obsessed with drawing her and painting her.  You see her face in many of his pictures and paintings.  So, really, the idea was was to bring her back to life.\"\u003cbr/\u003e17.  Various of actor Boyd Gaines as Degas singing about Marie as she dances\u003cbr/\u003e18.  SOUNDBITE:  (English)  Susan Stroman, Director and Choreographer - Little Dancer:\u003cbr/\u003e\"When I look at that statue I believe that Degas selected her because she had character, she had wit, she had ....  There was something about her that was different \u003cbr/\u003efrom the others.  She didn't look like the other dancers, she had more of a fight to her, something like a real spirit inside.  And I feel like that's what inspired him to draw her.\"\u003cbr/\u003e19.  Dance scene from production\u003cbr/\u003eNew York, New York -  6 October, 2014\u003cbr/\u003e20.  SOUNDBITE: (English)  Susan Stroman, Director and Choreographer - Little Dancer:\u003cbr/\u003e\"It's a serious story because it does touch on the plight of women in Paris in 1881 and what their options were.  So, it does have a very serious tone to it.  Yet, within that, it has the joy of dance.\"\u003cbr/\u003eWashington, DC   30 September, 2014\u003cbr/\u003e21.  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