{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Iran\u0026#39;s top cartoonists draw laughter' data-url='/boclips/videos/5c54c4add8eafeecae16a807' data-video-url='/boclips/videos/5c54c4add8eafeecae16a807' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nIran\u0026#39;s top cartoonists draw laughter\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP Television is adhering to Iranian law that stipulates all media are banned from providing BBC Persian or VOA Persian any coverage from Iran, and under this law if any media violate this ban the Iranian authorities can immediately shut...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Television is adhering to Iranian law that stipulates all media are banned from providing BBC Persian or VOA Persian any coverage from Iran, and under this law if any media violate this ban the Iranian authorities can immediately shut down that organisation in Tehran.\u003cbr/\u003eAP Television \u003cbr/\u003eTehran, Iran - February 25, 2011\u003cbr/\u003e1. Close of hand drawing a cartoon of Laurel and Hardy\u003cbr/\u003e2. Close pull focus of cartoonist Javad Alizadeh's face with Marlon Brando portrait caricature in background\u003cbr/\u003e3. Close over the shoulder of Javad Alizadeh drawing cartoon\u003cbr/\u003e4. Mid pull focus of Javad Alizadeh drawing\u003cbr/\u003e5. Tilt down of poster reading: (English/Farsi) \"Cartoon Exhibition - Javad Alizadeh\"\u003cbr/\u003e6. Wide of Javad Alizadeh drawing in his studio\u003cbr/\u003e7. Close of a caricature showing an old woman fastened to the door with a paper clip\u003cbr/\u003e8. Wide of Javad Alizadeh's studio wall with art work\u003cbr/\u003e9. Mid of Javad Alizadeh speaking with his secretary\u003cbr/\u003e10. Close of Javad Alizadeh's hand flipping pages of Humour and Caricature magazine\u003cbr/\u003e11. SOUNDBITE: (Farsi) Javad Alizadeh, cartoonist and editor of Humour and Caricature Magazine: \u003cbr/\u003e\"I have been publishing the monthly magazine Humour and Caricature in Tehran for 21 years. In fact, it is the only magazine of its kind in Iran's private sector. By pursuing my own particular policy I have managed to criticise, considering the situation of our country, and even make people laugh. My goal has always been to soften society's atmosphere and reduce the effect of harshness or violence that might occur in society.\"\u003cbr/\u003e12. Close tilt up cartoon showing the impact of fuel rationing and rising fuel prices on the lower class in Iran on magazine's front page\u003cbr/\u003e13. Pull out of cartoon eyeball drawn by Alizadeh called 'Ocean of Sorrow'\u003cbr/\u003e14.  SOUNDBITE: (Farsi) Javad Alizadeh, cartoonist and editor of Humour and Caricature Magazine: \u003cbr/\u003e\"We cannot illustrate the faces of clerics or religious figures, and actually none of the cartoonists would like to do that either. We are committed not to violate national or religious barriers. However, through personal experience I have innovated a method to deal with executive officials of the country who might be a minister or a clergyman and have to be respected. In such cases, the cartoonist does not have to depict the faces of these figures but can criticise their performance and actions indirectly instead.\"\u003cbr/\u003e15. Close of Javad Alizadeh's hand holding a medal awarded to him by France's Academie Du Trait D'Humour\u003cbr/\u003e16. Wide of Javad Alizadeh looking at his awards received from local and international competitions\u003cbr/\u003eAP Television \u003cbr/\u003eMuseum of Contemporary Art, Tehran, Iran - February 24, 2011\u003cbr/\u003e17. Pan right from portrait cartoon of Luciano Pavarotti to Samuel Beckett\u003cbr/\u003e18. Pan left from sculpture in museum to visitors touring the caricature exhibition\u003cbr/\u003e19. Pan right from cartoon of Rowan Atkinson to Muammar Gaddafi, Libyan leader\u003cbr/\u003e20. Mid of wall of gallery with cartoons\u003cbr/\u003e21. Mid over the shoulder shot of women looking at cartoons\u003cbr/\u003e22. Wide of exhibition\u003cbr/\u003e23. SOUNDBITE: (Farsi) Javad Alizadeh, cartoonist and editor of Humour and Caricature Magazine: \u003cbr/\u003e\"When it comes to exhibition cartoons, Iranian artists are comparable to their foreign counterparts. This is because our cartoonists do not find it profitable enough to work in the journalistic branch of this art and there is no job security for that. Therefore, they prefer to offer their works to festivals and spend their talent and innovation in that field.\"\u003cbr/\u003e24. Close of a cartoon showing a school of fish and a sign reading: (Arabic) \"Arabic Gulf\"\u003cbr/\u003e25. Mid of cartoon showing a school of fish\u003cbr/\u003e26. Wide of Javad Alizadeh among other visitors looking at the exhibition\u003cbr/\u003eAP Television \u003cbr/\u003eNewsroom of Mardomsalari Daily, Tehran, Iran - February 26, 2011\u003cbr/\u003e27. Pan right of detail of cartoon on wall of newspaper office\u003cbr/\u003e28. Wide of Ali Kashi, the cartoonist of Mardomsalari Daily entering and sitting at his desk\u003cbr/\u003e29. Close of Ali Kashi's hand sketching a cartoon\u003cbr/\u003e30. Pull focus of Ali Kashi's face\u003cbr/\u003e31. Mid of Ali Kashi drawing cartoon\u003cbr/\u003e32. SOUNDBITE: (Farsi) Ali Kashi, cartoonist: \u003cbr/\u003e\"There aren't many officials who like to see a cartoon of their faces drawn and treated with satire, unlike some foreign countries where they play with faces of politicians.  We cannot do even a little of that here in Iran. Nevertheless, I do not think we have a very weird situation here. We have to pass through this period of time and the next generation of politicians will certainly have more tolerance toward criticism.\"\u003cbr/\u003e33. Close of Mardomsalari Daily and cartoons published in it\u003cbr/\u003e34. Pan right of staff in the newsroom\u003cbr/\u003eCartoonists in Iran have to draw a fine line between political satire and the limits of Islamic law, which prohibits the depiction of religious figures.\u003cbr/\u003eBut one artist manages to raise a laugh, while combining constructive criticism with commercial success.\u003cbr/\u003eJavad Alizadeh puts the finishing touch to a pair of familiar faces.\u003cbr/\u003eThis self-taught Iranian cartoonist has been drawing caricatures since 1970.\u003cbr/\u003eHe is the founder, editor and publisher of the independent Iranian monthly cartoon magazine, Tanz-O-Caricator (Humour and Caricature).\u003cbr/\u003eRunning for over 20 years, it is one of the few surviving cartoon magazines in Iran.\u003cbr/\u003eHumour and Caricature features editorial, comic strips, caricatures, black humour, and surrealist sketches.\u003cbr/\u003eAlthough it proves difficult to publish his magazine with no financial support from the government, Javad Alizadeh's passion for caricature sees him produce his monthly magazine with minimal staff.\u003cbr/\u003e\"I have been publishing the monthly magazine Humour and Caricature in Tehran for 21 years. In fact, it is the only magazine its kind in Iran's private sector. By pursuing my own particular policy I have managed to criticise, considering the situation of our country, and even make people laugh. My goal has always been to soften society's atmosphere and reduce the effect of harshness or violence that might occur in society,\" says Alizadeh.\u003cbr/\u003eThe cartoonist says his fellow Iranian artists have to contend with a lack of job security and low wages - especially in journalism.\u003cbr/\u003ePoking fun at Iranian society in cartoons is problematic in the Islamic country - where many men in power are clerics, or clad in the sacred outfit of Shiite mullahs - clothing which it's strictly forbidden to mock in caricature.\u003cbr/\u003ePortraying the faces of religious figures is illegal.  Breaching this rule could lead to the magazine's closure and the prosecution of the cartoonist.\u003cbr/\u003ePainfully aware of the fact, Alizadeh has devised his own strategy for poking fun at the authorities without crossing the line.\u003cbr/\u003eHe explains: \"We cannot illustrate the faces of clerics or religious figures, and actually none of the cartoonists would like to do that either. We are committed not to violate national or religious barriers. However, through personal experience I have innovated a method to deal with executive officials of the country who might be a minister or a clergyman and have to be respected. In such cases, the cartoonist does not have to depict the faces of these figures but can criticise their performance and actions indirectly instead.\"\u003cbr/\u003eAlizadeh surveys some of the accolades he's won throughout his long career.\u003cbr/\u003eHis most treasured award is first prize in caricature from France's Anglet International Cartoon Festival in 1990.\u003cbr/\u003eHe now sits on international juries for competitions around the world, including France, Macedonia and Dubai.\u003cbr/\u003eAlizadeh says he is influenced by scientists Albert Einstein and Isaac Newton, sometimes creating scientific-philosophical cartoons - like this Ocean of Sorrow piece.\u003cbr/\u003eIran's history of cartoons dates back to the mid-Qajar Dynasty (1794-1925) when simple sketches would often accompany written anecdotes.\u003cbr/\u003eThe years before the Islamic Revolution in 1979 are considered the heyday of Iran's political cartoon satire.\u003cbr/\u003eAt a time written criticism of the ruling system could lead to severe reprisals, cartoonists were able to criticise and their drawings played a role in the people's revolution.\u003cbr/\u003eDuring the second decade of the 32-year-old Iranian revolution, cartoonists enjoyed more freedom, frequently jesting with officials.\u003cbr/\u003eThis period saw the rise of many of Iran's comics and satirical magazines.\u003cbr/\u003eAli Kashi is the cartoonist of pro-reform daily paper 'Mardomsalari' meaning 'Democracy'.\u003cbr/\u003eHe has drawn editorial cartoons for the newspaper for 10 years.\u003cbr/\u003eThe golden era of Iran's caricature after the Islamic Revolution was the eight-year period of reformist Mohammad Khatami's presidency (1997 - 2005) that many journalists deem the best era for press freedom.\u003cbr/\u003eBut Ali Kashi explains what the situation is like in modern Iran.\u003cbr/\u003eHe says: \"There aren't many officials who like to see a cartoon of their faces drawn and treated with satire, unlike some foreign countries where they play with faces of politicians.  We cannot do even a little of that here in Iran. Nevertheless, I do not think we have a very weird situation here. We have to pass through this period of time and the next generation of politicians will certainly have more tolerance toward criticism.\"\u003cbr/\u003eMany young dissident cartoonists have fled Iran in recent years, especially in the post-reform era when hardliners led by President Mahmoud Ahmadinejad took power in 2005.  They continue to draw caricatures in exile to avoid retribution. \u003cbr/\u003eBut some, like Ali Kashi and Javad Alizadeh, stay in Tehran, wielding the pen as best they can within the limits of Islamic law.\u003cbr/\u003ekeyword wacky\u003cbr/\u003e\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator 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