{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='The smart way to take photos' data-url='/boclips/videos/5c54c50cd8eafeecae16d483' data-video-url='/boclips/videos/5c54c50cd8eafeecae16d483' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nThe smart way to take photos\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eAP TelevisionWashington, DC - 1 March 20131. Various of iPhoneography enthusiast taking photo of ceiling lights2. Various of iPhoneography enthusiast taking photo of an elevator3. Mid of Cindi Hobgood advising iPhoneography enthusiasts...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eAP Television\u003cbr/\u003eWashington, DC - 1 March 2013\u003cbr/\u003e1. Various of iPhoneography enthusiast taking photo of ceiling lights\u003cbr/\u003e2. Various of iPhoneography enthusiast taking photo of an elevator\u003cbr/\u003e3. Mid of Cindi Hobgood advising iPhoneography enthusiasts on how to shoot good pictures in the field\u003cbr/\u003e4. Close of Hobgood demonstrating\u003cbr/\u003e5. Mid of Hobgood reviewing enthusiast's photos\u003cbr/\u003e6. SOUNDBITE (English) Cindi Hobgood, Owner of Scout Photo Expeditions:\u003cbr/\u003e\"Well I'm teaching the class because I find it to be the thing I'm most interested in. I would be doing this anyways - I do it all day, all night. My eyes are blood shot - I look like a vampire.  We call it app-addicted - or 'appdicted'. So, I find it that people get very excited about it. When I show them what I'm doing, they want to learn more. So, I'm filling a need I guess.\" \u003cbr/\u003e7. Wide of Hobgood lecturing\u003cbr/\u003e8. Mid of Hobgood reviewing iPhone photo on a projector\u003cbr/\u003e9. Various of enthusiasts typing on their iPhones during Hobgood's lecture\u003cbr/\u003e10. Close of Hobgood reviewing enthusiasts photos on the projector\u003cbr/\u003eAP Television \u003cbr/\u003eWashington, DC - 27 February 2013\u003cbr/\u003e11. Various of Corcoran College of Art and Design's building  exterior\u003cbr/\u003e12. Mid of students walking to class\u003cbr/\u003e13. Wide of Adjunct Professor  of Photography, Steve Elfers, teaching iPhoneography\u003cbr/\u003e14. Close of Elfers showing where to plug in add-ons\u003cbr/\u003e15. Close of student looking at add-ons through her iPhone\u003cbr/\u003e16. Mid of students passing gadgets back and forth to one another\u003cbr/\u003e17. SOUNDBITE (English) Steve Elfers, Adjunct Professor of Photography at the Corcoran College of Art and Design:\u003cbr/\u003e\"Right now we use the iPhone as a foundation but my expectation before they leave this class is that they'll be able to use their iPhone to shoot, edit, and transmit news. It's not the primary tool we use by any stretch but you can use it as a secondary recording device. You can use it as a secondary camera angle. You can use it to shoot stills that you can then incorporate into your video. So, it's absolutely a useful if not vital tool for daily production.\"     \u003cbr/\u003e18. Mid of student playing with iPhone camera gadget\u003cbr/\u003e19. Mid of student taking notes in class\u003cbr/\u003e20. Close of student taking notes in class\u003cbr/\u003e21. Close of student downloading photo app onto his iPhone\u003cbr/\u003eAP Television\u003cbr/\u003eWashington, DC - 28 February 2013\u003cbr/\u003e22. Wide of Sadie Quarrier, Senior Picture Editor at National Geographic, working at her desk\u003cbr/\u003e23. Various of Quarrier working and typing\u003cbr/\u003e24. SOUNDBITE (English) Sadie Quarrier, Senior Picture Editor at National Geographic:\u003cbr/\u003e\"Well the most exciting way that we use the iPhone was in our Everest expedition last May - May of 2012. We followed a team of North Face climbers up the mountain of Everest. And for three months, the climbers and the photographers shot Instagrams as they travelled up the mountain. And it was a great way for our readers and viewers to live daily through the experiences of the team.\"\u003cbr/\u003e25. National Geographic Instagrams from Mt. Everest on Quarrier's monitor\u003cbr/\u003e26. Close of explorer Instagram taking while hiking Mt. Everest\u003cbr/\u003e27. Close of two photos taken on Mt. Everest: one raw, the other through an Instagram filter\u003cbr/\u003e28. Close of explorer photo's Instagram process. UPSOUND (English) Sadie Quarrier, Senior Picture Editor at National Geographic:\u003cbr/\u003e\"This is her first cell phone picture with no filters applied. She brings it into Instagram. And this is the second image, when she starts to mess around with filters. Then, the third image. And then this is her final self-portrait on Instagram. It went on our blog, on Facebook and we'll actually publish in our upcoming June story on Everest.\"\u003cbr/\u003e29. Various close of explorer hiking photo as it's tweaked on Instagram\u003cbr/\u003e30. Various close of explorer tent photo as it's tweaked on Instagram\u003cbr/\u003e31. Wide of Quarrier sitting on a couch looking at National Geographic's latest book entitled 'The Call of Everest'\u003cbr/\u003e32. Close of Quarrier flipping through the pages of the book\u003cbr/\u003e33. Close of the explorer's tent photo published in 'The Call of Everest' book\u003cbr/\u003eAP Television\u003cbr/\u003eWashington, DC - 28 February 2013\u003cbr/\u003e34. Wide of the National Gallery of Art's lawn sculpture with the Washington Monument in the background\u003cbr/\u003e35. Wide of the National Gallery of Art's front steps\u003cbr/\u003e36. Close of the National Gallery of Art's entrance sign\u003cbr/\u003e37. Various of Sarah Kennel, Associate Curator in the Department of Photographs at the National Gallery of Art, looking at photos on display at the museum\u003cbr/\u003e38. Close of black and white photograph\u003cbr/\u003e39. SOUNDBITE (English) Sarah Kennel, Associate Curator in the Department of Photographs at the National Gallery of Art:\u003cbr/\u003e\"I think the art world is a little bit slower sometimes to pick up on fads that might be considered street fads.  It's the same history with snapshot photography though. When snapshots were first introduced at the turn of the century, it was something that expanded the amateur practice. And a lot of artists themselves looked down on snapshot photography. Alfred Stieglitz for example complained about how every Tom, Dick and Harry were now going to become a photographer. But even within a few years, he himself started becoming intrigued with the possibilities that a small, handheld camera - what it could do to photography. And he began using it.  And then by the 1950s, the snapshot aesthetic was a very important aesthetic in fine art photography.\"\u003cbr/\u003eAP Television\u003cbr/\u003eWashington, DC - 1 March 2013\u003cbr/\u003e40. Wide of iPhoneography enthusiasts clicking through picture filters on their phones\u003cbr/\u003e41. Close of iPhoneography enthusiast clicking through photo filter on her phone\u003cbr/\u003e42. Close of iPhoneography enthusiast taking a picture into the camera lens\u003cbr/\u003eIn the US, mobile phone photography - better known as iPhoneography - is a snapshot away from becoming the twenty-first century's newest form of art. \u003cbr/\u003eNow leading magazines are publishing smartphone photos, and there are classes to enable you to get more from your Instagram app. \u003cbr/\u003eClick it, and post it, and tweet it. An increasing number of us are documenting our daily lives through smartphone photographs, and it has changed the way many of us view the world.  \u003cbr/\u003eNow, an increasing number of enthusiasts are signing up for courses to improve their snaps. \u003cbr/\u003eStudents are paying over $80 US dollars to learn the art of iPhoneography - the art of taking photos from an iPhone. And for some - it is more than an expensive hobby - it is the future.\u003cbr/\u003eWith a few mere clicks, even the most artistically challenged can learn how to properly control light, colours, and cropping. \u003cbr/\u003eWith apps like Instagram, Hipstamatic and Decim8, mundane objects can come alive with filters and the right eye.\u003cbr/\u003eOne benefit of a mobile phone is that it is small, and fits right into a normal jeans pocket with no extra costs for filters. \u003cbr/\u003eCindi Hobgood began her iPhoneography class last year as an extension to her traditional photography program at Scout expeditions. \u003cbr/\u003eAs an avid iPhoneographer herself, she has been involved in countless conferences and shows all over the country.  \u003cbr/\u003e \"Well I'm teaching the class because I find it to be the thing I'm most interested in. I would be doing this anyways - I do it all day, all night. My eyes are blood shot - I look like a vampire.  We call it app-addicted - or 'appdicted'. So, I find it that people get very excited about it. When I show them what I'm doing, they want to learn more. So, I'm filling a need I guess,\" says Hobgood\u003cbr/\u003eFormerly a scout for major motion pictures, Hobgood ventured into iPhoneography after years of hauling her large Cannon 5D everywhere. \u003cbr/\u003eAs a lover of candid snapshots, she was exhilarated by the freedom the little camera offered. The goal of her class is to help expand the movement's network into Washington, DC.\u003cbr/\u003eBased in the US capital, her class is $84 USD and two hours long. The first hour is a lecture on which apps can help bring out the best in certain situations. The second hour is 'field' practice around DC's Chinatown neighbourhood. She generally teaches between 30-40 students a weekend.\u003cbr/\u003eHobgood isn't the only teacher passionate about mobile photography. \u003cbr/\u003eThe Corcoran College of Art and Design - along with countless other US universities - are offering college credit classes in iPhoneography and multimedia production, too. \u003cbr/\u003eSteve Elfers is an Adjunct Professor of Photography at the Corcoran and the director of video at USA Today. \u003cbr/\u003eAfter working in both environments, he was convinced that with the right gadgets, iPhoneography could become increasingly critical in the future of media.  \u003cbr/\u003e\"Right now we use the iPhone as a foundation but my expectation before they leave this class is that they'll be able to use the iPhone to shoot, edit, and transmit news. \u003cbr/\u003eIt's not the primary tool we use by any stretch but you can use it as a secondary recording device. You can use it as a secondary camera angle. You can use it to shoot stills that you can then incorporate into your video. So, it's absolutely a useful if not vital tool for daily production,\" says Elfers.     \u003cbr/\u003eSkills taught to the students include using the Phocus 3 - or better known as the ALM OWLE - and the iRig microphone. Then, they're expected to edit in iMovie and transmission in Brightcove Mobile Upload or FTP Client Pro. \u003cbr/\u003eElfers insisted that the art's speed would be key. Because filing iPhoneography footage is fast, it could become invaluable in just a few short years.\u003cbr/\u003eAs Elfers predicted, a handful of major publications have already begun trying their hand at mobile photography.\u003cbr/\u003eOne of those is National Geographic, one of the worlds most respected brands in photojournalism. \u003cbr/\u003eThey started experimenting with iPhoneography storytelling just last year.  \u003cbr/\u003e \"Well the most exciting way that we use the iPhone was in our Everest expedition last May - May of 2012. We followed a team of North Face climbers up the mountain of Everest. And for three months, the climbers and the photographers shot Instagrams as they travelled up the mountain. And it was a great way for our readers and viewers to live daily through the experiences of the team,\" says Sadie Quarrier, Senior Picture Editor at National Geographic.\u003cbr/\u003eThe nine climbers had little to no training in professional photography before their ascend. \u003cbr/\u003eBut, for twelve weeks, they kept in touch with National Geographic's editors and readers through voicemails and Instagrams. \u003cbr/\u003eThe correspondence was then published to the magazine's interactive iPad app. \u003cbr/\u003eOne of the most famous photos of the climb was Emily Harrington's Instagram 'selfie' - or self-portrait - from the top of the world. Quarrier explained the process behind the shot: \u003cbr/\u003e\"This is her first cell phone picture with no filters applied. She brings it into Instagram. And this is the second image. which is when she starts to mess around with filters. Then, the third image. And then this is her final self-portrait on Instagram. It went on our blog, on Facebook and we'll actually publish in our upcoming June story on Everest.\"\u003cbr/\u003eQuarrier says that with the explorers using iPhoneography, it not only freed up the local professional cameraman, but also made the story more raw for readers. \u003cbr/\u003eWith the help of filters and digital mark-up, most photos came out ready for print. \u003cbr/\u003eThis inspired the team to publish a book about the expedition, illustrated with the personal iPhone photos. \u003cbr/\u003e'The Call of Everest' will be available in May 2013. \u003cbr/\u003eDown the road at the National Gallery of Art, critics remained sceptical about iPhoneography's place as an art form.\u003cbr/\u003eAssociate curator of photography, Sarah Kennel, says it is not the first time that new camera trends have found trouble assimilating into the high-brow art world. \u003cbr/\u003e\"I think the art world is a little bit slower sometimes to pick up on fads that might be considered street fads.  It's the same history with snapshot photography though. When snapshots were first introduced at the turn of the century, it was something that expanded the amateur practice. And a lot of artists themselves looked down on snapshot photography. Alfred Stieglitz for example complained about how every Tom, Dick and Harry were now going to become a photographer. But even within a few years, he himself started becoming intrigued with the possibilities that a small, handheld camera - what it could do to photography. And he began using it.  And then by the 1950s, the snapshot aesthetic was a very important aesthetic in fine art photography.\"\u003cbr/\u003eShe predicts iPhoneography will follow the same footsteps as snapshot photography. But, because the art can be shared in warp speed timing, it will be highlighted as a key phase in the digital revolution.  \u003cbr/\u003ePerhaps the smart phone photography will both change the way we view the world, and the way that we interact with the world for generations to come. \u003cbr/\u003eClients are reminded: \u003cbr/\u003e(i) to check the terms of their licence agreements for use of content outside news programming and that further advice and assistance can be obtained from the AP Archive on: Tel +44 (0) 20 7482 7482 Email: info@aparchive.com. \u003cbr/\u003e(ii) they should check with the applicable collecting society in their Territory regarding the clearance of any sound recording or performance included within the AP Television News service \u003cbr/\u003e(iii) they have editorial responsibility for the use of all and any content included within the AP Television News service and for libel, privacy, compliance and third party rights applicable to their 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aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='educator-ratings-heading' class='rp-info-section'\u003e\n\u003ch2 class='title sr-only' id='educator-ratings-heading'\u003eEducator Ratings\u003c/h2\u003e\n\u003cdiv id=\"educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"all-educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"educator-rating-form-root\"\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-resource'\u003e\n\u003cdiv aria-label='Show resource details' class='rp-show-info' role='button' tabindex='0'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\nShow resource details\n\u003c/div\u003e\n\u003cdiv aria-label='Video player' class='player' 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lozad\" alt=\"The smart way to take photos\" title=\"The smart way to take photos\" onError=\"handleImageNotLoadedError(this)\" data-default-image=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" data-src=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" width=\"315\" height=\"220\" src=\"data:image/png;base64,R0lGODlhAQABAAD/ACwAAAAAAQABAAACADs\" /\u003e\n\u003cspan aria-hidden='true' class='flex justify-center items-center bg-white rounded-full w-16 h-16 absolute top-1/2 left-1/2 -mt-8 -ml-8 cursor-pointer z-0 border-2 border-primary drop-shadow-md lp-boclips-thumbnail-playBtn'\u003e\n\u003ci class='fa-solid fa-play text-primary text-3xl ml-1 drop-shadow-xl'\u003e\u003c/i\u003e\n\u003c/span\u003e\n\u003c/a\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n"}