{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='Pop up theatre marks 400th anniversary of Shakespeare\u0026#39;s death ++REPLAY++' data-url='/boclips/videos/5c54caf7d8eafeecae1a03d7' data-video-url='/boclips/videos/5c54caf7d8eafeecae1a03d7' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nPop up theatre marks 400th anniversary of Shakespeare\u0026#39;s death ++REPLAY++\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eFOR CLEAN VERSION SEE STORY NUMBER: 4032626LEAD IN:It seems 'all the world's a stage' for theatre lovers in Auckland .A full-scale, temporary working replica of the Second Globe theatre has popped up to celebrate the 400th anniversary of...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eFOR CLEAN VERSION SEE STORY NUMBER: 4032626LEAD IN:It seems 'all the world's a stage' for theatre lovers in Auckland .A full-scale, temporary working replica of the Second Globe theatre has popped up to celebrate the 400th anniversary of the death of William Shakespeare.STORY-LINE:A new addition to the Auckland skyline, the Pop-up Globe is here for a limited time to treat fans to a feast of Shakespeare.The building has been built to be an almost exact replica of the original theatre, which stood on London's Southbank from 1614.  It was built by William Shakespeare and his company to replace the First Globe theatre which burnt down in 1613.The Second Globe theatre stood for 30 years until it closed at the time of the English Civil War.The exterior features the distinctive circular shape, the white walls, the double gabled roof and the iconic green onion-shaped dome of the original.The pop-up building's plans were developed by Professor Tim Fitzpatrick and his team at the University of Sydney in Australia based on years of research.Dr Miles Gregory is the artistic director and founder of the Pop-up Globe.\"Pop-up Globe is the first ever full-scale, temporary working replica of the Second Globe theatre. That's the theatre that was built after the First Globe theatre burnt down in 1613. And it is the theatre that Shakespeare and his colleagues rebuilt after a devastating fire, and they made it more sumptuous and luxurious than ever before and they also improved upon its design.  And we have reconstructed the Pop-up Globe, the Second Globe theatre, based on ground-breaking research by Sydney University,\" he says. Tim Fitzpatrick and his team used the image of the Second Globe theatre from the 1647 map, 'The Long View of London', by the Dutch artist Wenceslas Hollar as a basis for the plans.Gregory says Fitzpatrick got the dimensions of the building using computer aided design, and the pop-up team have used those dimensions to create the Pop-up Globe, which is within inches of the original Second Globe.23rd April, 2016 marks the 400th anniversary of William Shakespeare's deathGregory says he is excited by the fact that the sun will rise first on that day in New Zealand and find the Pop-up Globe in a city, Auckland, Shakespeare could never have imagined in a country Shakespeare had never heard of.Gregory says the green copper onion dome on the top of the Second Globe, and on top of the Pop-up Globe, has fascinated historians and academics for years. He says when they built the replica they realised the dome was a \"flamboyant statement\" for the building.The idea for the pop-up was first mooted two years ago when Gregory's young daughter read a pop-up book featuring the Globe theatre.  The idea has taken two years to come fruition but the building has taken only 35 days to 'pop up'.  Gregory says he is very pleased with the finished structure. \"When you enter the building you see immediately that it is on three levels, the exterior of it is white, you come into The Yard, the large open area in front of the stage.  There is a huge stage, the stage itself is about the size of a small house, and around the stage on three levels are galleries where audience members can sit. It is a 360 degree playing space. There is seating behind the stage in the Lords' and Gentlemen's Rooms and in Shakespeare's day they would have been filled with the aristocracy.\"At Pop-up Globe, like the original, half of the theatre is open to the elements as there is no roof on half the structure.  This means members of the audience must come prepared with raincoats and sunhats.Attending a performance of a play by Shakespeare in a replica building such as this one can bring his work to life.  Gregory says the original Second Globe theatre was a lavish building built in 1614.  He says it was a landmark building which stood for 30 years and was the premier playhouse in London at the time.He says he hopes the Pop-up Globe will inspire a generation of New Zealanders to continue to love the work of Shakespeare and will leave a lasting impression on all visitors.Tobias Grant is commercial director of the Pop-up Globe.\"The season is ten weeks long and it is a very intense season.  It is headlined by the two shows which are being performed by our own cast and company which are Twelfth Night and Romeo and Juliet.  There are another six shows which we brought in by visiting companies. They include The Tempest, Titus, Much Ado About Nothing, Hamlet and others. So in total it is a very rich programme and the theatre will be very, very busy for the time that it exists. In addition to that there are acting classes, there are classes for teachers, we have almost 20 thousand school students coming in through the course of the season to enjoy the performances right here.\"Grant says the Pop-up Globe has captured the imagination of the people of Auckland, and across the country and the theatre is receiving enormous public support.The Pop-up Globe is an independent company and theatre, and it is not connected to Shakespeare's Globe theatre in London, UK.Over at the University of Auckland, Professor of English Tom Bishop is also looking forward to the Shakespeare season ahead. Bishop has a copy of the 1647 Wenceslas Hollar map which was used in the design of the pop-up theatre.  \"So this is Wenceslas Hollar's (map called) 'Long View of London' which was published in 1647 based on some sketches that he'd made. And on the Southbank of the Thames, here is the Second Globe theatre,\" he says. \"This is one of the most important pieces of evidence for what the Second Globe theatre looked like and one of the principle exhibits that lies behind the reconstruction that is down in Auckland at the moment.\"He says an historical inaccuracy is present on the map.\"It says 'Beere Bayting' (bear baiting) but it is, as some contemporary maps also are, mislabelled and that is actually the (Second) Globe theatre.\"Bishop says he is excited about the season ahead. He says the plays have been carefully chosen and well reflect the range of plays Shakespeare wrote from an early play Titus Andronicus to the last play Shakespeare wrote The Tempest, and includes comedies, tragedies and a history play.\"Reconstructing a fully worked out, thought through model of what a playing space of Shakespeare's time might have been like, for which these plays were originally designed is extraordinarily helpful in thinking about the particular texture of those plays. I think of it as like having access to Mozart's piano - that you have some music which is very familiar in modern performance and here you have an instrument on which you can explore what kind of character that music might have had as originally written.  Now there are all kinds of interesting problems about that but if you sit down to play say a Mozart sonata on one of his pianos you will find things about the shape of the lines, the way they interact the clarity that he had access to with the resources he had at his disposal.  The same thing applies to the Second Globe model.  If you get actors working with the early texts on a space which is broadly speaking approximate to what they would have originally been played on you find out new things about how they work as theatrical machines.\"Bishop says one of the most noticeable differences in attending a performance in the Pop-up Globe theatre will be the lighting. In a theatre such as the Pop-up Globe there will be a broad wash of light across the whole venue rather than a darkened auditorium and specific lighting.  There will also be a lot more audience participation and interaction with the cast, and the actors will address the audience directly, a common theatrical technique of the time.As the 400th anniversary of Shakespeare's death approaches, Bishop says he thinks Shakespeare continues to have an enduring appeal partly because the language he brings to his plays and sonnets is so interesting and also because the plays themselves are enormously compelling to watch.He says the idea of Pop-up Globe would not have been surprising to William Shakespeare. \"So I think it would have been perfectly consistent with everything he knew in his theatre and for which he had designed his theatre to find it in a foreign location with a variety of companies.\"The Pop-up Globe season is running throughout April, and will include a performance of Hamlet.FOR CLEAN VERSION SEE STORY NUMBER: 4032626LEAD IN:It seems 'all the world's a stage' for theatre lovers in Auckland .A full-scale, temporary working replica of the Second Globe theatre has popped up to celebrate the 400th anniversary of the death of William Shakespeare.STORY-LINE:A new addition to the Auckland skyline, the Pop-up Globe is here for a limited time to treat fans to a feast of Shakespeare.The building has been built to be an almost exact replica of the original theatre, which stood on London's Southbank from 1614.  It was built by William Shakespeare and his company to replace the First Globe theatre which burnt down in 1613.The Second Globe theatre stood for 30 years until it closed at the time of the English Civil War.The exterior features the distinctive circular shape, the white walls, the double gabled roof and the iconic green onion-shaped dome of the original.The pop-up building's plans were developed by Professor Tim Fitzpatrick and his team at the University of Sydney in Australia based on years of research.Dr Miles Gregory is the artistic director and founder of the Pop-up Globe.\"Pop-up Globe is the first ever full-scale, temporary working replica of the Second Globe theatre. That's the theatre that was built after the First Globe theatre burnt down in 1613. And it is the theatre that Shakespeare and his colleagues rebuilt after a devastating fire, and they made it more sumptuous and luxurious than ever before and they also improved upon its design.  And we have reconstructed the Pop-up Globe, the Second Globe theatre, based on ground-breaking research by Sydney University,\" he says. Tim Fitzpatrick and his team used the image of the Second Globe theatre from the 1647 map, 'The Long View of London', by the Dutch artist Wenceslas Hollar as a basis for the plans.Gregory says Fitzpatrick got the dimensions of the building using computer aided design, and the pop-up team have used those dimensions to create the Pop-up Globe, which is within inches of the original Second Globe.23rd April, 2016 marks the 400th anniversary of William Shakespeare's deathGregory says he is excited by the fact that the sun will rise first on that day in New Zealand and find the Pop-up Globe in a city, Auckland, Shakespeare could never have imagined in a country Shakespeare had never heard of.Gregory says the green copper onion dome on the top of the Second Globe, and on top of the Pop-up Globe, has fascinated historians and academics for years. He says when they built the replica they realised the dome was a \"flamboyant statement\" for the building.The idea for the pop-up was first mooted two years ago when Gregory's young daughter read a pop-up book featuring the Globe theatre.  The idea has taken two years to come fruition but the building has taken only 35 days to 'pop up'.  Gregory says he is very pleased with the finished structure. \"When you enter the building you see immediately that it is on three levels, the exterior of it is white, you come into The Yard, the large open area in front of the stage.  There is a huge stage, the stage itself is about the size of a small house, and around the stage on three levels are galleries where audience members can sit. It is a 360 degree playing space. There is seating behind the stage in the Lords' and Gentlemen's Rooms and in Shakespeare's day they would have been filled with the aristocracy.\"At Pop-up Globe, like the original, half of the theatre is open to the elements as there is no roof on half the structure.  This means members of the audience must come prepared with raincoats and sunhats.Attending a performance of a play by Shakespeare in a replica building such as this one can bring his work to life.  Gregory says the original Second Globe theatre was a lavish building built in 1614.  He says it was a landmark building which stood for 30 years and was the premier playhouse in London at the time.He says he hopes the Pop-up Globe will inspire a generation of New Zealanders to continue to love the work of Shakespeare and will leave a lasting impression on all visitors.Tobias Grant is commercial director of the Pop-up Globe.\"The season is ten weeks long and it is a very intense season.  It is headlined by the two shows which are being performed by our own cast and company which are Twelfth Night and Romeo and Juliet.  There are another six shows which we brought in by visiting companies. They include The Tempest, Titus, Much Ado About Nothing, Hamlet and others. So in total it is a very rich programme and the theatre will be very, very busy for the time that it exists. In addition to that there are acting classes, there are classes for teachers, we have almost 20 thousand school students coming in through the course of the season to enjoy the performances right here.\"Grant says the Pop-up Globe has captured the imagination of the people of Auckland, and across the country and the theatre is receiving enormous public support.The Pop-up Globe is an independent company and theatre, and it is not connected to Shakespeare's Globe theatre in London, UK.Over at the University of Auckland, Professor of English Tom Bishop is also looking forward to the Shakespeare season ahead. Bishop has a copy of the 1647 Wenceslas Hollar map which was used in the design of the pop-up theatre.  \"So this is Wenceslas Hollar's (map called) 'Long View of London' which was published in 1647 based on some sketches that he'd made. And on the Southbank of the Thames, here is the Second Globe theatre,\" he says. \"This is one of the most important pieces of evidence for what the Second Globe theatre looked like and one of the principle exhibits that lies behind the reconstruction that is down in Auckland at the moment.\"He says an historical inaccuracy is present on the map.\"It says 'Beere Bayting' (bear baiting) but it is, as some contemporary maps also are, mislabelled and that is actually the (Second) Globe theatre.\"Bishop says he is excited about the season ahead. He says the plays have been carefully chosen and well reflect the range of plays Shakespeare wrote from an early play Titus Andronicus to the last play Shakespeare wrote The Tempest, and includes comedies, tragedies and a history play.\"Reconstructing a fully worked out, thought through model of what a playing space of Shakespeare's time might have been like, for which these plays were originally designed is extraordinarily helpful in thinking about the particular texture of those plays. I think of it as like having access to Mozart's piano - that you have some music which is very familiar in modern performance and here you have an instrument on which you can explore what kind of character that music might have had as originally written.  Now there are all kinds of interesting problems about that but if you sit down to play say a Mozart sonata on one of his pianos you will find things about the shape of the lines, the way they interact the clarity that he had access to with the resources he had at his disposal.  The same thing applies to the Second Globe model.  If you get actors working with the early texts on a space which is broadly speaking approximate to what they would have originally been played on you find out new things about how they work as theatrical machines.\"Bishop says one of the most noticeable differences in attending a performance in the Pop-up Globe theatre will be the lighting. In a theatre such as the Pop-up Globe there will be a broad wash of light across the whole venue rather than a darkened auditorium and specific lighting.  There will also be a lot more audience participation and interaction with the cast, and the actors will address the audience directly, a common theatrical technique of the time.As the 400th anniversary of Shakespeare's death approaches, Bishop says he thinks Shakespeare continues to have an enduring appeal partly because the language he brings to his plays and sonnets is so interesting and also because the plays themselves are enormously compelling to watch.He says the idea of Pop-up Globe would not have been surprising to William Shakespeare. \"So I think it would have been perfectly consistent with everything he knew in his theatre and for which he had designed his theatre to find it in a foreign location with a variety of companies.\"The Pop-up Globe season is running throughout April, and will include a performance of Hamlet.Auckland, New Zealand - 18 February, 20161. Exterior of pop-up Globe theatre2. Close up of theatre signage3. Mid of double-gabled roof4. Mid of green onion-shaped dome on roof5. Exterior of nearby old building, pan to Pop-up Globe theatre6. Interior pop-up Globe theatre, wide of stage7. Double gabled roof, tilt down to stage8. Mid of portrait of woman on stage9. Various of production of opening scene from Twelfth Night, for invited student audience10. Cutaway of invited student audience11. Production of opening scene from Twelfth Night12. Various set ups of artistic director and founder of the Pop-up Globe, Miles Gregory13. SOUNDBITE (English) Miles Gregory, Artistic Director and Founder, Pop-up Globe:\"Pop-up Globe is the first ever full-scale, temporary working replica of the Second Globe theatre. That's the theatre that was built after the First Globe theatre burnt down in 1613. And it is the theatre that Shakespeare and his colleagues rebuilt after a devastating fire, and they made it more sumptuous and luxurious than ever before and they also improved upon its design.  And we have reconstructed  Pop-up Globe, the Second Globe theatre, based on ground-breaking research by Sydney University.\"14. Pan of the three levels of seating15. SOUNDBITE (English) Miles Gregory, Artistic Director and Founder, Pop-up Globe:\"When you enter the building you see immediately that it is on three levels, the exterior of it is white, you come into The Yard, the large open area in front of the stage.  There is a huge stage, the stage itself is about the size of a small house, and around the stage on three levels are galleries where audience members can sit. It is a 360 degree playing space. There is seating behind the stage in the Lords' and Gentlemen's Rooms and in Shakespeare's day they would have been filled with the aristocracy.\"16. Lords' and Gentlemen's Rooms17. Various of a 'dressed' Lords' and Gentlemen's Room18. Set up of commercial director for the Pop-up Globe, Tobias Grant19. SOUNDBITE (English) Tobias Grant, Commercial Director, Pop-up Globe:\"The season is ten weeks long and it is a very intense season.  It is headlined by the two shows which are being performed by our own cast and company which are Twelfth Night and Romeo and Juliet.  There are another six shows which we brought in by visiting companies. They include The Tempest, Titus, Much Ado About Nothing, Hamlet and others. So in total it is a very rich programme and this theatre will be very, very busy for the time that it exists. In addition to that there are acting classes, there are classes for teachers, we have almost 20 thousand school students coming in through the course of the season to enjoy the performances right here.\"20. Various exteriors of Faculty of Arts, University of Auckland21. Various set ups of Tom Bishop. Professor of English, University of Auckland22. Wide of Bishop looking at map on table, UPSOUND (English) Tom Bishop, Professor of English, University of Auckland:\"So this is Wenceslas Hollar's (map called) 'Long View of London' which was published in 1647 based on some sketches that he'd made. And on the Southbank of the Thames, here is the Second Globe theatre.\"23. Mid of Bishop looking at map on table, UPSOUND (English) Tom Bishop, Professor of English, University of Auckland:\"This is one of the most important pieces of evidence for what the Second Globe theatre looked like and one of the principle exhibits that lies behind the reconstruction that is down in Auckland at the moment.\"24. Close up of map showing Second Globe theatre labelled as 'Beere Bayting (bear baiting)'25. Mid of Bishop looking at map on table, UPSOUND (English) Tom Bishop, Professor of English, University of Auckland:\"It says 'Beere Bayting (bear baiting)' but it's been, as some contemporary maps also are, mislabelled and that is actually the (Second) Globe theatre.\"26. Close up of map showing Second Globe theatre labelled as 'Beere Bayting (bear baiting)'27. SOUNDBITE (English) Tom Bishop, Professor of English, University of Auckland:\"Reconstructing a fully worked out, thought through model of what a playing space of Shakespeare's time might have been like, for which these plays were originally designed is extraordinarily helpful in thinking about the particular texture of those plays. I think of it as like having access to Mozart's piano - that you have some music which is very familiar in modern performance and here you have an instrument on which you can explore what kind of character that music might have had as originally written.  Now there are all kinds of interesting problems about that, but if you sit down to play say a Mozart sonata on one of his pianos you will find things about the shape of the lines, the way they interact, the kind of clarity that he had access to with the resources at his disposal.  The same thing applies to something like the Second Globe model.  If you get actors working with the early texts on a space which is broadly speaking approximate to what they would have originally been played on you find out new things about how they work as theatrical machines.\"28.  Close up of book about William Shakespeare29. SOUNDBITE (English) Tom Bishop, Professor of English, University of Auckland:\"So I think it would have been perfectly consistent with everything he knew in his theatre and for which he had designed his theatre to find it in a foreign location with a variety of companies.\"30. Close up of Pop-up Globe signage31. Various of double-gabled roof and onion dome35. Wide of Pop-up Globe theatre in Auckland.\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"3.5 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star-half-stroke text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-regular fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt class=\"educator-rating-title\"\u003eEducator Rating\u003c/dt\u003e\u003cdd\u003e\u003cdiv class=\"educator-rating-details\" data-path=\"/educator_ratings/rrp_data?resourceable_id=347549\u0026amp;resourceable_type=Boclips%3A%3AVideoMetadata\"\u003e\u003cspan class=\"not-yet-rated\"\u003eNot yet Rated\u003c/span\u003e\u003c/div\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eGrade\u003c/dt\u003e\u003cdd title=\"Grade\"\u003eHigher Ed\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSubjects\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=random+population+samples\u0026amp;page=4\u0026amp;search_tab_id=1\u0026amp;subject_ids%5B%5D=1216220\"\u003eAll Subjects\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eMedia Type\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?keywords=random+population+samples\u0026amp;page=4\u0026amp;search_tab_id=2\u0026amp;type_ids%5B%5D=4543650\"\u003eNews Clips\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eSource:\u003c/dt\u003e\n\u003cdd\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eDate\u003c/dt\u003e\n\u003cdd\u003e2016\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003ci aria-hidden='true' class='fai fa-solid fa-language'\u003e\u003c/i\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudiences\u003c/dt\u003e\u003cdd\u003e\u003cspan\u003e\u003ca href=\"/search?audience_ids%5B%5D=371079\u0026amp;keywords=random+population+samples\u0026amp;page=4\u0026amp;search_tab_id=1\"\u003eFor Teacher Use\u003c/a\u003e\u003c/span\u003e\u003c/dd\u003e\u003cdd class=\"text-muted\"\u003e\u003ci class=\"fa-solid fa-lock mr5\"\u003e\u003c/i\u003e2 more...\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='concepts-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='concepts-heading'\u003eConcepts\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list concepts' data-identifier='Boclips::VideoDecorator' data-type='concepts'\u003ehigher education, business, time, education, pop music, entertainment, design, performing arts\u003c/div\u003e\n\u003cdiv class='concepts-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='additional-tags-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='additional-tags-heading'\u003eAdditional Tags\u003c/h2\u003e\n\u003cdiv class='clearfix'\u003e\n\u003cdiv class='details-list keyterms' data-identifier='Boclips::VideoDecorator' data-type='keyterms'\u003eseason, globe, play, building construction, social affairs, shows, stage, shakespeare, arts and entertainment, construction and engineering, built, classes, leisure facility construction, visual arts, globe theatre, industries, globe theater, made, 3 levels, apce-nyc, theater, pulled, industrial products and services, theaters, closed, kind\u003c/div\u003e\n\u003cdiv class='keyterms-toggle-buttons' data-identifier='Boclips::VideoDecorator'\u003e\n\u003cbutton aria-expanded='false' class='more btn-link' type='button'\u003e\n\u003cspan\u003eShow More\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-down ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003cbutton aria-expanded='true' class='less btn-link' style='display: none;' type='button'\u003e\n\u003cspan\u003eShow Less\u003c/span\u003e\n\u003ci aria-hidden='true' class='fa-solid fa-caret-up ml5'\u003e\u003c/i\u003e\n\u003c/button\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='educator-ratings-heading' class='rp-info-section'\u003e\n\u003ch2 class='title sr-only' id='educator-ratings-heading'\u003eEducator Ratings\u003c/h2\u003e\n\u003cdiv id=\"educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"all-educator-ratings-root\"\u003e\u003c/div\u003e\u003cdiv id=\"educator-rating-form-root\"\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-resource'\u003e\n\u003cdiv aria-label='Show resource details' class='rp-show-info' role='button' tabindex='0'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\nShow resource details\n\u003c/div\u003e\n\u003cdiv aria-label='Video player' class='player' id='player-wrapper' role='region'\u003e\n\u003cdiv class='relative container mx-auto' id='lp-boclips-visitor-thumbnail'\u003e\n\u003ca class=\"block\" data-html=\"true\" data-placement=\"bottom\" data-trigger=\"click\" data-content=\"\u003cdiv class=\u0026quot;text-center py-2\u0026quot;\u003e\u003ca class=\u0026quot;bold\u0026quot; href=\u0026quot;/auth/users/sign_in\u0026quot;\u003eSign in\u003c/a\u003e or \u003ca class=\u0026quot;bold text-danger\u0026quot; data-posthog-event=\u0026quot;Signup: LP Signup Activity\u0026quot; data-posthog-location=\u0026quot;body_link_boclips\u0026quot; data-remote=\u0026quot;true\u0026quot; href=\u0026quot;/subscription/new\u0026quot;\u003eJoin Now\u003c/a\u003e\u003c/div\u003e\" data-title=\"Get Full Access\" data-container=\"body\" rel=\"popover\" tabindex=\"0\" aria-label=\"Play video: Pop up theatre marks 400th anniversary of Shakespeare\u0026#39;s death ++REPLAY++\" href=\"/subscription/new\"\u003e\u003cimg class=\"resource-img img-thumbnail img-responsive z-10 lp-boclips-thumbnail w-full h-full lozad\" alt=\"Pop up theatre marks 400th anniversary of Shakespeare\u0026#39;s death ++REPLAY++\" title=\"Pop up theatre marks 400th anniversary of Shakespeare\u0026#39;s death ++REPLAY++\" onError=\"handleImageNotLoadedError(this)\" data-default-image=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" data-src=\"https://static.lp.lexp.cloud/images/attachment_defaults/resource/large/missing.png\" width=\"315\" height=\"220\" src=\"data:image/png;base64,R0lGODlhAQABAAD/ACwAAAAAAQABAAACADs\" /\u003e\n\u003cspan aria-hidden='true' class='flex justify-center items-center bg-white rounded-full w-16 h-16 absolute top-1/2 left-1/2 -mt-8 -ml-8 cursor-pointer z-0 border-2 border-primary drop-shadow-md lp-boclips-thumbnail-playBtn'\u003e\n\u003ci class='fa-solid fa-play text-primary text-3xl ml-1 drop-shadow-xl'\u003e\u003c/i\u003e\n\u003c/span\u003e\n\u003c/a\u003e\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n"}