{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-c03aa079.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-517835be.css\" media=\"all\" /\u003e\n\u003cdiv data-title='A Chinese artist\u0026#39;s take on the Russian Revolution' data-url='/boclips/videos/5c54d5dad8eafeecae1fecda' data-video-url='/boclips/videos/5c54d5dad8eafeecae1fecda' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nA Chinese artist\u0026#39;s take on the Russian Revolution\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30356011\" href=\"/search?publisher_ids%5B%5D=30356011\"\u003eCurated Video\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eLEADIN              Contemporary Chinese artist Cai Guo-Qiang, who designed the fireworks for the Beijing Olympics, opens his first solo exhibition in Russia this week.              Featuring giant installations, \"Cai Guo-Qiang: October\"...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eLEADIN\u003cbr/\u003e              Contemporary Chinese artist Cai Guo-Qiang, who designed the fireworks for the Beijing Olympics, opens his first solo exhibition in Russia this week.\u003cbr/\u003e              Featuring giant installations, \"Cai Guo-Qiang: October\" marks the 100-year anniversary of the Russian Revolution.\u003cbr/\u003e              STORYLINE\u003cbr/\u003e              A huge pile of birch trees, donated baby cribs and pushchairs almost block the main entrance of Moscow's Pushkin State Museum of Fine Arts. \u003cbr/\u003e              This is 'Autumn', an art installation by contemporary Chinese artist Cai Guo-Qiang, also known for having designed the fireworks for Beijing Olympics.\u003cbr/\u003e              The 16-metre high installation will stand there during the month-long exhibition, so visitors and passers-by can witness the birches turn yellow and lose their leaves. \u003cbr/\u003e              It was Cai's vision that when the leaves fall, they accumulate in the cradles and strollers to symbolize the necessary death that feeds the next generation.\u003cbr/\u003e              The cradles and baby paraphernalia were donated by Moscow residents.  \u003cbr/\u003e              Cai's first solo exhibition in Russia features giant installations both indoors and outdoors that touch upon themes of trauma, triumph, and utopia. \u003cbr/\u003e              The temporary exhibition \"Cai Guo-Qiang: October\" marks the 100-year anniversary of the Russian Revolution.\u003cbr/\u003e              Having grown up in Maoist China and experienced the hardship of the Cultural Revolution, Cai's take on the Russian revolution is unique. \u003cbr/\u003e              His usual medium of gunpowder takes on a deeper meaning when coupled with subjects of social upheaval and civil war. \u003cbr/\u003e              Preparations for this exhibition have been going on for over two years, during which Cai's team had to deal with the logistics of such installations, such as permissions to import and detonate gunpowder. \u003cbr/\u003e              The museum director, Marina Loshak, says Cai had hoped to have a gunpowder installation on the Red Square, but that was denied.\u003cbr/\u003e              \"In trying to make the gunpowder installation to coincide with the opening of the exhibition, Cai and I thought that the best place for that would be the Red Square. Everything was thought out, but we weren't allowed to do it there; I hope that we will be able to in the future. Nevertheless, since we are people who build the future from what is inside us, we still realised it, but inside the museum.\"\u003cbr/\u003e              The work in question is \"Sound\", a 20-meter piece of cloth hanging above the main staircase of the museum, which bare famous lines from the left-wing anthem \"The Internationale\": \"There Are No Supreme Saviours. Not God, Not Caesar And No Hero.\"\u003cbr/\u003e              A line remembered by all those who were raised in the Soviet Union. \u003cbr/\u003e              A centerpiece of the exhibition is the \"Earth\" installation, a huge field of wheat covering up almost the entirety of a main hall.\u003cbr/\u003e              The field is reflected in a huge mirror hanging from the ceiling, so \"Every individual visitor is considered as part of the works to be shown in the sky,\" says Cai.\u003cbr/\u003e              Nearly two million individual stalks of wheat were painstakingly put in by an army of volunteers. \u003cbr/\u003e              On either side of \"Earth\" hang the largest canvases in the collection, \"Garden\" and \"River\".  \u003cbr/\u003e              From a distance they look like abstract paintings, one very colourful, the other one in grey shades. \u003cbr/\u003e              But at a closer look, one can see a universe of details. \u003cbr/\u003e              Soviet era propaganda posters and slogans, photographs of soldiers and families, details from the Russian Civil War and World War II, all hidden between blots of violent strokes. \u003cbr/\u003e              Among the chaos of images and non-images in the winding 'River\" piece, a picture of Cai himself is hidden at the far right end. \u003cbr/\u003e              He speaks enthusiastically of the selfie he took in the State Tretyakov Gallery next to an Ivan Kramskoi painting which he used to reproduce regularly as a young artist.\u003cbr/\u003e              \"(Russian painter Ivan) Kramskoi's 'Girls on the Carriage', I used to imitate a lot of it, but always gave out as wedding gifts to friends. Today when I am walking through the river of the Russian history, I wish I could put myself into the Russian history and culture,\" Cai says.\u003cbr/\u003e              The colour scope of \"Garden\" makes the spots of detonation look like the centres of flowers. \u003cbr/\u003e              Finally, \"October: Daytime Fireworks on Red Square\" is a video installation, with a (Russian composer Pyotr Ilyich) Tchaikovsky melody, that can be heard throughout the whole museum and interrupted by fierce explosions. \u003cbr/\u003e              The volume of the explosions is very loud, aiming at disturbing the visitors on purpose.\u003cbr/\u003e              \"This is an exhibition about the individual living through revolution, revolution in its widest sense. Revolution as a global, historical cataclysm or revolution as a certain inner transfiguration, a change of one's own points of view,\" explains Alexandra Danilova, the curator of the exhibition.\u003cbr/\u003e              Through this exhibition, Cai Guo-Qiang addresses not only the subject of revolution, but also his admiration of Russian art. \u003cbr/\u003e              \"This is a story about how different countries are indeed in some things incredibly alike and in others rather distant. This is why, in contemplating the Russian Revolution, Cai Guo-Qiang addresses his personal experience, what he has survived in his childhood: the epoch of the Cultural Revolution in China,\" says Danilova. \u003cbr/\u003e              China during Cai's youth was heavily influenced by Soviet Russia. Cai was even taught by soviet painter Konstantin Maksimov, a Soviet painter and pedagogue who is credited with bringing realist painting to China.\u003cbr/\u003e            \u003cbr/\u003e\u003cbr/\u003e              Moscow, Russia - 11 September 2017\u003cbr/\u003e              1. Various of \"Autumn\" art installation by Chinese artist Cai Guo-Qiang\u003cbr/\u003e              2. Wide pan of Cai and director museum Marina Loshak before the press\u003cbr/\u003e              3. Cutaway of press\u003cbr/\u003e              4. SOUNDBITE (Russian) Marina Loshak, Director of Pushkin State Art Museum of Fine Arts:\u003cbr/\u003e              \"In trying to make the gunpowder installation to coincide with the opening of the exhibition, Cai and I thought that the best place for that would be the Red Square. Everything was thought out, but we weren't allowed to do it there; I hope that we will be able to in the future. Nevertheless, since we are people who build the future from what is inside us, we still realised it, but inside the museum.\"\u003cbr/\u003e              5. Close up of Cai and interpreter\u003cbr/\u003e              6. Cutaway of press\u003cbr/\u003e              7. SOUNDBITE (Mandarin) Cai Guo-Qiang, Chinese artist: \u003cbr/\u003e              \"Although what you have seen is the October Revolution as the theme of this exhibition, which is heavy and full of strength.\" \u003cbr/\u003e              8. Cutaway cameraman\u003cbr/\u003e              9. SOUNDBITE (Mandarin) Cai Guo-Qiang, Chinese artist: \u003cbr/\u003e              \"However, after all, I am a playful boy. My works are full of romance and playfulness.\" \u003cbr/\u003e              10. Wide of Cai and interpreter\u003cbr/\u003e              11. Wide of installation \"Sound\" on ceiling in staircase reading (Russian) \"There Are No Supreme Saviours. Not God, Not Caesar And No Hero.\"\u003cbr/\u003e              12. Wide of exhibition logo reading (Russian and Mandarin): \"October\" \u003cbr/\u003e              13. Zoom out of sketches by Cai for video installation \"October: Daytime Fireworks on Red Square\"\u003cbr/\u003e              14. Various of artworks\u003cbr/\u003e              15. Wide of press accompanying Cai along installation \"River\"\u003cbr/\u003e              16. SOUNDBITE (Mandarin) Cai Guo-Qiang, Chinese artist: \u003cbr/\u003e              \"Every individual visitor is considered as part of the works to be shown in the sky.\"\u003cbr/\u003e              17. Wide of installation \"Earth\" \u003cbr/\u003e              18. SOUNDBITE (Mandarin) Cai Guo-Qiang, Chinese artist: \u003cbr/\u003e              \"I want to express the idea that this was not a period of time that belongs only to another remote group of people. It was actually a period of time that I participated in and was a part of.\"\u003cbr/\u003e              19. Various of installation \"Earth\"\u003cbr/\u003e              20. Various of installation \"Garden\"\u003cbr/\u003e              21. Wide of installation \"River\"\u003cbr/\u003e              22. Mid of Cai posing with a self-portrait \"Self\" at the end of installation \"River\"\u003cbr/\u003e              23. Close up of details of installation \"River\"\u003cbr/\u003e              24. SOUNDBITE (Mandarin) Cai Guo-Qiang, Chinese artist:\u003cbr/\u003e              \"(Russian painter Ivan) Kramskoi's 'Girls on the Carriage', I used to imitate a lot of it, but always gave out as wedding gifts to friends. Today when I am walking through the river of the Russian history, I wish I could put myself into the Russian history and culture.\"\u003cbr/\u003e              25. Various details of installation \"River\" \u003cbr/\u003e              26. Mid of Cai watching his own video installation \"October: Daytime Fireworks on Red Square\"\u003cbr/\u003e              27. Wide of exhibition, girl looking at artwork\u003cbr/\u003e              28. Zoom out and pan of \"Selected Stencils for River\" to \"Selfie in Front of Ivan Kramskoi Painting\"\u003cbr/\u003e              29. SOUNDBITE (Russian) Alexandra Danilova, Curator of Exhibition:\u003cbr/\u003e              \"This is an exhibition about the individual living through revolution, revolution in its widest sense. Revolution as a global, historical cataclysm or revolution as a certain inner transfiguration, a change of one's own points of view.\"\u003cbr/\u003e              30. Various of artwork\u003cbr/\u003e              31. SOUNDBITE (Russian) Alexandra Danilova, Curator of Exhibition:\u003cbr/\u003e              \"This is a story about how different countries are indeed, in some things, incredibly alike and in others rather distant. This is why, in contemplating the Russian Revolution, Cai Guo-Qiang addresses his personal experience, what he has survived in his childhood: the epoch of the Cultural Revolution in China.\" \u003cbr/\u003e              32. Wide of Cai going down staircase\u003cbr/\u003e              ASSOCIATED PRESS \u003cbr/\u003e              Moscow, Russia - 13 September 2017\u003cbr/\u003e              33. Various of installation \"Kite\"\u003cbr/\u003e              34. Various of visitors looking at various artworks\u003cbr/\u003e              35. Close up rack focus on surface of \"Garden\"\u003cbr/\u003e              36. Various of visitors around installation \"Earth\"\u003cbr/\u003e              37. SOUNDBITE (Russian) Andrei (last name not given), Financial Consultant, visitor:\u003cbr/\u003e              \"It's a very interesting installation spot, in such an academic space, I would say it all looks rather organic/compatible. Of course, it makes you think, because the artist is from a different country that has symbols we understand. Really a very interesting experiment.\"\u003cbr/\u003e              38. 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