{"page":"\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/resources-572d6a42.css\" /\u003e\n\u003clink rel=\"stylesheet\" href=\"https://lessonplanet.com/assets/packs/css/lp_boclips_stylesheets-f4d0de30.css\" media=\"all\" /\u003e\n\u003cdiv data-title='The challenges of creating a world: Director David Bösch on Il trovatore (The Royal Opera)' data-url='/boclips/videos/5ca95ce1b217ed33cf35044d' data-video-url='/boclips/videos/5ca95ce1b217ed33cf35044d' id='bo_player_modal'\u003e\n\u003cdiv class='boclips-resource-page modal-dialog panel-container'\u003e\n\u003cdiv class='react-notifications-root'\u003e\u003c/div\u003e\n\u003cdiv class='rp-header'\u003e\n\u003cdiv class='rp-type'\u003e\n\u003ci aria-hidden='true' class='fai fa-regular fa-circle-play'\u003e\u003c/i\u003e\nVideo\n\u003c/div\u003e\n\u003ch1 class='rp-title' id='video-title'\u003e\nThe challenges of creating a world: Director David Bösch on Il trovatore (The Royal Opera)\n\u003c/h1\u003e\n\u003cdiv class='rp-actions'\u003e\n\u003cdiv class='mr-1'\u003e\n\u003ca class=\"btn btn-success\" data-posthog-event=\"Signup: LP Signup Activity\" data-posthog-location=\"body_link_boclips\" data-remote=\"true\" href=\"/subscription/new\"\u003e\u003cspan\u003e\u003cspan\u003eGet Free Access\u003c/span\u003e\u003cspan class=\"\"\u003e for 10 Days\u003c/span\u003e\u003cspan\u003e!\u003c/span\u003e\u003c/span\u003e\u003c/a\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-body'\u003e\n\u003cdiv class='rp-info'\u003e\n\u003cdiv aria-label='Hide resource details' class='rp-hide-info' role='button' tabindex='0'\u003e\u0026times;\u003c/div\u003e\n\u003ci aria-label='Expand resource details' class='rp-expand-info fai fa-solid fa-up-right-and-down-left-from-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003ci aria-label='Compress resource details' class='rp-compress-info fai fa-solid fa-down-left-and-up-right-to-center' role='button' tabindex='0'\u003e\u003c/i\u003e\n\u003cdiv class='rp-rating'\u003e\n\u003cspan class='resource-pool'\u003e\n\u003cspan class='pool-label'\u003ePublisher:\u003c/span\u003e\n\u003cspan class='pool-name'\u003e\n\u003cspan class='text'\u003e\u003ca data-publisher-id=\"30359162\" href=\"/search?publisher_ids%5B%5D=30359162\"\u003eRoyal Opera House\u003c/a\u003e\u003c/span\u003e\n\u003c/span\u003e\n\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='rp-description'\u003e\n\u003cspan class='short-description'\u003eDirector David Bösch speaks to Sara Mohr-Pietsch about his new Royal Opera production of Verdi's Il trovatore. Find out more at This clip features highlights from our Il trovatore insight, also available to watch in-full featuring cast...\u003c/span\u003e\n\u003cspan class='full-description hide'\u003eDirector David Bösch speaks to Sara Mohr-Pietsch about his new Royal Opera production of Verdi's Il trovatore. Find out more \u003ca href='http://www.roh.org.uk/trovatore' target='_blank' rel='nofollow'\u003eat\u003c/a\u003e This clip features highlights from our Il trovatore insight, also available to watch in-full featuring cast and creative team interviews and \u003ca href='https://www.youtube.com/watch?v=cfNWiF7t9xU' target='_blank' rel='nofollow'\u003eperformances\u003c/a\u003e Verdi wrote Il trovatore hot on the heels of Rigoletto, and its premiere came a scant two months before that of La traviata. But Il trovatore, while no less popular than its neighbours, is quite different. Verdi himself had suggested the source material, Antonio García Gutiérrez’s play El trovador (1836), to his librettist Salvatore Cammarano. He encouraged Cammarano to pursue the same cross-genre developments Verdi had introduced in Rigoletto, writing in an early letter ‘if the entire opera were, let’s say, a single piece, I would find it more reasonable and just’. As it happens, the end result is highly formal in structure, and seems to look back before the innovations of Rigoletto – but audiences since the opera’s premiere have been captivated by its great dramatic concision and energy. Il trovatore is probably best known for its ‘gypsy’ music – the Anvil Chorus, Azucena’s ‘Stride la vampa’ and Manrico’s heroic ‘Di quella pira’ are key examples. But Verdi wrote wonderful music for all four of his leads, with the ‘aristocratic’ ‘Il balen del suo sorriso’ for the Count, and Leonora’s prayer ‘D’amor sull’ali rosee’ among a host of thrilling ensembles and chorus numbers. German director David Bösch, celebrated for his theatrical productions for Munich and Frankfurt among others, makes his UK debut with this new production for The Royal Opera. The opera’s themes of jealousy, revenge and love play out against a hauntingly beautiful, wintry landscape that has been riven by war. --- German director David Bösch makes his Royal Opera debut in the 2015/16 Season directing Il trovatore. Bösch was born in Lübeck and studied at the Zürich School of Music and Drama and on the Young Directors’ Project at Salzburg Festival. His early career included positions as House Director at Schauspiel Essen and Schauspielhaus Bochum. He made his opera directing debut in the 2009/10 season with Orlando furioso (Frankfurt Opera) and L’elisir d’amore (Bavarian State Opera). Opera productions since have included Mitridate, re di Ponto and L’Orfeo (Bavarian State Opera), Königskinder (Frankfurt Opera), The Cunning Little Vixen (Klagenfurt), Idomeneo (Basle), Simon Boccanegra (Opéra de Lyon) and Elektra (Opera Vlaanderen). Bösch works extensively in theatre. He won the 2006 Salzburg Festival Young Directors’ Award for his production of Much Ado About Nothing (Thalia Theater, Hamburg). Other productions include Schiller’s Kabale und Liebe (Schauspielhaus Zürich and 14th Internationale Schillertage in Mannheim) and Goethe’s Urfaust (Myeongdong Theatre in Seoul, at the invitation of the Goethe Institute). He has also directed numerous works for Burgtheater Vienna, including Romeo and Juliet and Ghosts.\u003c/span\u003e\n\u003c/div\u003e\n\u003cdiv class='action-container flex justify-between'\u003e\n\u003cbutton aria-expanded='false' aria-label='Read more description' class='rp-full-description' type='button'\u003e\n\u003ci class='fai fa-solid fa-align-left'\u003e\u003c/i\u003e\n\u003cspan id='read_more'\u003eRead More\u003c/span\u003e\n\u003c/button\u003e\n\u003cdiv class='rp-report'\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003cdiv aria-labelledby='resource-details-heading' class='rp-info-section'\u003e\n\u003ch2 class='title' id='resource-details-heading'\u003eResource Details\u003c/h2\u003e\n\u003cdiv class='rp-resource-details clearfix'\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurator Rating\u003c/dt\u003e\n\u003cdd\u003e\u003cspan class=\"star-rating\" aria-label=\"4.0 out of 5 stars\" role=\"img\"\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-solid fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003ci class=\"fa-regular fa-star text-action\" aria-hidden=\"true\"\u003e\u003c/i\u003e\u003c/span\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt class=\"educator-rating-title\"\u003eEducator Rating\u003c/dt\u003e\u003cdd\u003e\u003cdiv class=\"educator-rating-details\" data-path=\"/educator_ratings/rrp_data?resourceable_id=93084\u0026amp;resourceable_type=Boclips%3A%3AVideoMetadata\"\u003e\u003cspan class=\"not-yet-rated\"\u003eNot yet Rated\u003c/span\u003e\u003c/div\u003e\u003c/dd\u003e\n\u003c/dl\u003e\n\u003c/div\u003e\n\u003cdiv class='detail'\u003e\n\u003cdl\u003e\n\u003cdt\u003eGrade\u003c/dt\u003e\u003cdd title=\"Grade\"\u003e6th - 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